MARC details
000 -LEADER |
fixed length control field |
04706cam a2200481 i 4500 |
001 - CONTROL NUMBER |
control field |
on1030840415 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240726105059.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
191227s2018 abc ob s001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2019394420 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
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pn |
Transcribing agency |
DLC |
Modifying agency |
NT |
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EBLCP |
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OCLCF |
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UWO |
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YDX |
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NLC |
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MERUC |
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IDB |
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UAB |
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CELBN |
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CEF |
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INT |
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VT2 |
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OTZ |
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DKU |
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AGLDB |
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CNTRU |
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UKAHL |
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SFB |
016 ## - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
Record control number |
(AMICUS)000045280213 |
016 ## - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
Canceled/invalid control number |
20179078674 (print) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781771992206 |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
ML3830 |
Item number |
.C666 2018 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
MAIN |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Dawson, Michael Robert William, |
Dates associated with a name |
1959-, |
Relator term |
Author |
245 10 - TITLE STATEMENT |
Title |
Connectionist representations of tonal music : |
Remainder of title |
discovering musical patterns by interpreting artificial neural networks / |
Statement of responsibility, etc. |
Michael R.W. Dawson. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Edmonton, AB : |
Name of publisher, distributor, etc. |
AU Press, |
Date of publication, distribution, etc. |
(c)2018. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (xv, 295 pages) |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Media type code |
c |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Carrier type code |
cr |
Source |
rdacarrier |
347 ## - DIGITAL FILE CHARACTERISTICS |
File type |
data file |
Source |
rda |
500 ## - GENERAL NOTE |
General note |
Issued in print and electronic formats. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographies and index. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Cover; Half Title; Title; Copyright; Contents; List of Figures; List of Tables; Acknowledgements; Overture: Alien Music; Chapter 1: Science, Music, and Cognitivism; 1.1 Mechanical Philosophy, Mathematics, and Music; 1.2 Mechanical Philosophy and Tuning; 1.3 Psychophysics of Music; 1.4 From Rationalism to Classical Cognitive Science; 1.5 Musical Cognitivism; 1.6 Summary; Chapter 2: Artificial Neural Networks and Music; 2.1 Some Connectionist Basics; 2.2 Romanticism and Connectionism; 2.3 Against Connectionist Romanticism; 2.4 The Value Unit Architecture; 2.5 Summary and Implications. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Chapter 3: The Scale Tonic Perceptron3.1 Pitch-Class Representations of Scales; 3.2 Identifying the Tonics of Musical Scales; 3.3 Interpreting the Scale Tonic Perceptron; 3.4 Summary and Implications; Chapter 4: The Scale Mode Network; 4.1 The Multilayer Perceptron; 4.2 Identifying Scale Mode; 4.3 Interpreting the Scale Mode Network; 4.4 Tritone Imbalance and Key Mode; 4.5 Further Network Analysis; 4.6 Summary and Implications; Chapter 5: Networks for Key-Finding; 5.1 Key-Finding; 5.2 Key-Finding with Multilayered Perceptrons; 5.3 Interpreting the Network; 5.4 Coarse Codes for Key-Finding. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
5.5 Key-Finding with Perceptrons5.6 Network Interpretation; 5.7 Summary and Implications; Chapter 6: Classifying Chords with Strange Circles; 6.1 Four Types of Triads; 6.2 Triad Classification Networks; 6.3 Interval Cycles and Strange Circles; 6.4 Added Note Tetrachords; 6.5 Classifying Tetrachords; 6.6 Interpreting the Tetrachord Network; 6.7 Summary and Implications; Chapter 7: Classifying Extended Tetrachords; 7.1 Extended Tetrachords; 7.2 Classifying Extended Tetrachords; 7.3 Interpreting the Extended Tetrachord Network; 7.4 Bands and Coarse Coding; 7.5 Summary and Implications. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Chapter 8: Jazz Progression Networks8.1 The ii-V-I Progression; 8.2 The Importance of Encodings; 8.3 Four Encodings of the ii-V-I Problem; 8.4 Complexity, Encoding, and Training Time; 8.5 Interpreting a Pitch-class Perceptron; 8.6 The Coltrane Changes; 8.7 Learning the Coltrane Changes; 8.8 Interpreting a Coltrane Perceptron; 8.9 Strange Circles and Coltrane Changes; 8.10 Summary and Implications; Chapter 9: Connectionist Reflections; 9.1 A Less Romantic Connectionism; 9.2 Synthetic Psychology of Music; 9.3 Musical Implications; 9.4 Implications for Musical Cognition; 9.5 Future Directions. |
520 0# - SUMMARY, ETC. |
Summary, etc. |
Intended to introduce readers to the use of artificial neural networks in the study of music, this volume contains numerous case studies and research findings that address problems related to identifying scales, keys, classifying musical chords, and learning jazz chord progressions. A detailed analysis of networks is provided for each case study which together demonstrate that focusing on the internal structure of trained networks could yield important contributions to the field of music cognition. |
530 ## - COPYRIGHT INFORMATION: |
COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
Uniform Resource Identifier |
<a href="b">b</a> |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Music |
General subdivision |
Psychological aspects |
Form subdivision |
Case studies. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Music |
General subdivision |
Physiological aspects |
Form subdivision |
Case studies. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Music |
General subdivision |
Philosophy and aesthetics |
Form subdivision |
Case studies. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Neural networks (Computer science) |
Form subdivision |
Case studies. |
655 #1 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Electronic Books. |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1775041&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1775041&site=eds-live&custid=s3260518</a> |
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Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
DONATED BY: |
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VENDOR |
EBSCO |
Classification part |
ML |
PUBLICATION YEAR |
2018 |
LOCATION |
ONLINE |
REQUESTED BY: |
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NFIC |
Source of classification or shelving scheme |
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994 ## - |
-- |
92 |
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NT |
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
a |
1 |
b |
Cynthia Snell |
c |
1 |
d |
Cynthia Snell |