MARC details
| 000 -LEADER |
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| fixed length control field |
04736cam a2200445Mi 4500 |
| 001 - CONTROL NUMBER |
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| control field |
on1020612507 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240726105053.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
180131s2016 ne ob 001 0 eng d |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
YDX |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
YDX |
| Modifying agency |
OCLCO |
| -- |
EBLCP |
| -- |
JSTOR |
| -- |
NT |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9789048529964 |
| Qualifying information |
|
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9048529964 |
| Qualifying information |
|
| 050 04 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN1995 |
| Item number |
.F556 2016 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
MAIN |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Elsaesser, Thomas, |
| Dates associated with a name |
1943- |
| Relator term |
Author |
| 245 10 - TITLE STATEMENT |
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| Title |
Film history as media archaeology |
| Remainder of title |
tracking digital cinema / |
| Statement of responsibility, etc. |
Thomas Elsaesser. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Amsterdam : |
| Name of publisher, distributor, etc. |
Amsterdam University Press, |
| Date of publication, distribution, etc. |
(c)2016. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
[Chicago] : |
| Name of publisher, distributor, etc. |
University of Chicago Press, |
| Date of publication, distribution, etc. |
(c)2016. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource. |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 347 ## - DIGITAL FILE CHARACTERISTICS |
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| File type |
data file |
| Source |
rda |
| 490 1# - SERIES STATEMENT |
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| Series statement |
Film culture in transition ; |
| Volume # |
50 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographies and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Cover; Contents; Acknowledgements; General Introduction; Media Archaeology: Foucaultâ#x80;#x99;s Legacy; Film History as Media Archaeology; Is Media Archaeology a Supplement to or a Substitute for Film History?; Walter Benjamin and the Modernity Thesis; Noël Burch and â#x80;#x9C;Primitive Cinemaâ#x80;#x9D;; The Legacy of Michel Foucault; Media Archaeology by Default as well as by Design; Media Archaeology and the Digital Turn; Four Dominant Approaches; Media Archaeology and the Museum World; The Amsterdam Media Archaeology Network; The Deep Time of Media, or the Place of Cinema in (Media) History |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The Archive: Crises in History and MemoryThe Crisis in Narrative: Transmedia Studies and Participatory Culture; The Limits of Media Archaeology; I â#x80;#x93; Early Cinema; 1. Film History as Media Archaeology; Introduction; Early Cinema as Key to the New Media Paradigms?; The Cinema of Attractions: Early Cinema, Avant-garde, Post-Classical, and Digital Media; Media Archaeology I: Film History between Teleologies and Retroactive Causalities; Media Archaeology II: Family Tree or Family Resemblance?; Media Archaeology III: What is Cinema, Where is Cinema, and When is Cinema? |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
2. The Cinematic Dispositif(Between Apparatus Theory and Artistsâ#x80;#x99; Cinema); â#x80;#x9C;Mâ#x80;#x9D; is for Media Archaeology; The Dispositif Cinema: Conditions of Possibility, Definitions; The Cinematic Apparatus Between High Theory and Media Archaeology; Dispositif Mark 1: What was Cinema?; Dispositif Mark 2: Early Cinema; Dispositif Mark 3: Installation Art and the Moving Image; Dispositif Mark 4: Encounter and Event; The Dispositif as Interface?; Vanishing Points: Infinity versus Ubiquity; II â#x80;#x93; The Challenge of Sound; 3. Going â#x80;#x98;Liveâ#x80;#x99;; Body and Voice in Some Early German Sound Films |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
A System of Double AddressDas Lied einer Nacht: Modernism versus Modernization; Horror Vacui or Ontological Vertigo?; Radio and Cinema; Going Live as Staying Alive; 4. The Optical Wave; Walter Ruttmann in 1929; The Film Industry and Avant-garde; International Cooperation against National Profiling; Painting with Time: Ruttmann and the Physiognomy of the Curve; â#x80;#x9C;Sound film is the topic of the dayâ#x80;#x9D;â#x80;#x94;the pivotal years: 1929-30; 1929 Melodie der Welt; The Film Author and the Commission: Ruttmann and the Industry; Ruttmann Believes It; III â#x80;#x93; Archaeologies of Interactivity |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
5. Archaeologies of InteractivityThe â#x80;#x9C;Rubeâ#x80;#x9D; as Symptom of Media Change; Attention â#x80;#x93; Problem or Solution?; The Rube Films: Towards a Theory of Embedded Attention; The (Extra-)Diegetic Spaces of Early Cinema; The Return of the Rube; Towards a New Reflexivity; 6. Constructive Instability; or: The Life of Things as Cinemaâ#x80;#x99;s Afterlife?; Here-Me-Now; Constructive Instability; Performed Failure: Narratives of Collapse; The Honda Cog; Der Lauf der Dinge; Around the World in Eighty Clicks; Cluster and Forking Path â#x80;#x9C;Rube Goldbergâ#x80;#x9D;; Cluster and Forking Path â#x80;#x9C;Pythagoras Switchâ#x80;#x9D; |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Cluster and Forking Path â#x80;#x9D;Domino Dayâ#x80;#x9D; and Celebrity TV |
| 530 ## - COPYRIGHT INFORMATION: |
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| COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
| Uniform Resource Identifier |
<a href="b">b</a> |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Motion pictures |
| General subdivision |
Philosophy. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Motion pictures |
| General subdivision |
History. |
| 655 #1 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Electronic Books. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1691696&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1691696&site=eds-live&custid=s3260518</a> |
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Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
| DONATED BY: |
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| VENDOR |
EBSCO |
| Classification part |
PN.. |
| PUBLICATION YEAR |
2016 |
| LOCATION |
ONLINE |
| REQUESTED BY: |
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| -- |
NFIC |
| Source of classification or shelving scheme |
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| 994 ## - |
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| -- |
92 |
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NT |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
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| a |
1 |
| b |
Cynthia Snell |
| c |
1 |
| d |
Cynthia Snell |