MARC details
000 -LEADER |
fixed length control field |
05473cam a22004338i 4500 |
001 - CONTROL NUMBER |
control field |
on1005186255 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240726105038.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
171002s2017 ilu ob s001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2017047254 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
OCLCF |
-- |
YDX |
-- |
P@U |
-- |
NT |
-- |
JSTOR |
-- |
EBLCP |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780252050015 |
Qualifying information |
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042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
n-us--- |
-- |
e-fr--- |
050 10 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN1991 |
Item number |
.A276 2017 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
MAIN |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Vaillant, Derek, |
Relator term |
Author |
245 10 - TITLE STATEMENT |
Title |
Across the waves : |
Remainder of title |
how the United States and France shaped the international age of radio / |
Statement of responsibility, etc. |
Derek W Vaillant. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Urbana : |
Name of publisher, distributor, etc. |
University of Illinois Press, |
Date of publication, distribution, etc. |
(c)2017. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Media type code |
c |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Carrier type code |
cr |
Source |
rdacarrier |
347 ## - DIGITAL FILE CHARACTERISTICS |
File type |
data file |
Source |
rda |
490 0# - SERIES STATEMENT |
Series statement |
History of communication |
520 0# - SUMMARY, ETC. |
Summary, etc. |
"In 1931, the United States and France embarked on a broadcasting partnership built around radio. Over time, the transatlantic sonic alliance came to personify and to shape American-French relations in an era of increased global media production and distribution. Drawing on a broad range of American and French archives, Derek Vaillant joins textual and aural materials with original data analytics and maps to illuminate U.S.-French broadcasting's political and cultural development. Vaillant focuses on the period from 1931 until France dismantled its state media system in 1974. His analysis examines mobile actors, circulating programs, and shifting governmental and other institutions shaping international radio's use in times of war and peace. He explores the extraordinary achievements, the miscommunications and failures, and the limits of cooperation between America and France as they shaped a new media environment. Throughout, Vaillant explains how radio's power as an instantaneous mass communications tool produced, legitimized, and circulated various notions of states, cultures, ideologies, and peoples as superior or inferior"-- |
Assigning source |
|
520 0# - SUMMARY, ETC. |
Summary, etc. |
"This book is the first comparative history of 20th-century U.S.-French radio broadcasting and its consequences for cultural politics and international/global communication. As U.S. electronics firms raced into Europe, a succession of French governments cautiously participated in U.S.-French broadcast experiments. The first "transatlantics" revealed disparate national visions of radio's place in the emerging international/global arena. During World War II, however, and continuing into the Cold War years, U.S.-French broadcasting and statecraft wove tightly together, with tangible consequences for how Americans and the French learned to listen to each other. Radio became a projection space of U.S.-French national identity and difference, shaping culture and politics in an international/global media age. This book studies the period from 1931--when live, two-way programs first linked Paris and New York--to 1974, when France disassembled its state media system and the curtain fell on almost a half century of close and continuing radio association. This book uses extensive research in U.S. and French archives to analyze the work of transnational cooperative enterprises, notably among them an initiative to bring a torrent of French-produced, English-language content onto U.S. airwaves after World War II. It shows how a mobile cohort of U.S. and French nationals and expatriates created radio's transnational/global technical structures and aesthetic possibilities, and analyzes how different aesthetic aims and technical systems shaped cultural politics between us. This book brings the history of radio squarely into scholarly conversations about the root formations and tendencies of contemporary global media"-- |
Assigning source |
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504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographies and index. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
""Cover""; ""Title""; ""Copyright""; ""Contents""; ""Acknowledgments""; ""List of Acronyms and Abbreviations""; ""Introduction: At the Border of U.S.â#x80;#x93;French Broadcasting""; ""Part I: The Rise of U.S.â#x80;#x93;French Broadcasting, 1925â#x80;#x93;44""; ""1 At the Speed of Sound: Techno-Aesthetic Paradigms in U.S.â#x80;#x93;French Broadcasting, 1925â#x80;#x93;39""; ""2 We Wonâ#x80;#x99;t Always Have Paris: U.S. Networks in France and Europe, 1932â#x80;#x93;41""; ""3 Voices of the Occupation: U.S. Broadcasting to France during World War II""; ""Part II: Shaping a U.S.â#x80;#x93;French Radio Imaginary, 1945â#x80;#x93;74"" |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
""4 Served on a Platter: How French Radio Cracked the U.S. Airwaves""""5 The Air of Paris: Womenâ#x80;#x99;s Talk Radio, Gender, and the Art of Self-Fashioning""; ""6 The Drama of Broadcast History after May 1968""; ""Afterword: Radios at the Heart of Nations""; ""Appendix: U.S.â#x80;#x93;French Radio Time Line""; ""Notes""; ""Selected Resources"" |
530 ## - COPYRIGHT INFORMATION: |
COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
Uniform Resource Identifier |
<a href="b">b</a> |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Radio broadcasting |
Geographic subdivision |
United States |
General subdivision |
History |
Chronological subdivision |
20th century. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Radio broadcasting |
Geographic subdivision |
France |
General subdivision |
History |
Chronological subdivision |
20th century. |
655 #1 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Electronic Books. |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1488520&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1488520&site=eds-live&custid=s3260518</a> |
-- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
DONATED BY: |
|
VENDOR |
EBSCO |
Classification part |
PN.. |
PUBLICATION YEAR |
2017 |
LOCATION |
ONLINE |
REQUESTED BY: |
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-- |
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-- |
NFIC |
Source of classification or shelving scheme |
|
994 ## - |
-- |
92 |
-- |
NT |
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
a |
1 |
b |
Cynthia Snell |
c |
1 |
d |
Cynthia Snell |