MARC details
000 -LEADER |
fixed length control field |
04989cam a22004218i 4500 |
001 - CONTROL NUMBER |
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ocn960940756 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240726105037.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
161018s2017 inu ob 001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2016048153 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
OCLCF |
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OCLCO |
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NT |
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P@U |
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IDEBK |
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EBLCP |
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YDX |
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CNCGM |
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CCO |
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TEFOD |
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IDB |
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OTZ |
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OCLCQ |
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OCLCO |
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JSTOR |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780253023216 |
Qualifying information |
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042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
050 10 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
ML3531 |
Item number |
.H574 2017 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
MAIN |
245 10 - TITLE STATEMENT |
Title |
Hip hop at Europe's edge : |
Remainder of title |
music, agency, and social change / |
Statement of responsibility, etc. |
edited by Milosz Miszczynski and Adriana Helbig. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Bloomington ; |
-- |
Indianapolis : |
Name of publisher, distributor, etc. |
Indiana University Press, |
Date of publication, distribution, etc. |
(c)2017. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Media type code |
c |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Carrier type code |
cr |
Source |
rdacarrier |
347 ## - DIGITAL FILE CHARACTERISTICS |
File type |
data file |
Source |
rda |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographies and index. |
505 00 - FORMATTED CONTENTS NOTE |
Title |
Introduction / |
Statement of responsibility |
Adriana Helbig and Milosz Miszczynski -- |
Title |
Part 1: Hip Hop, Postsocialism, and Democracy -- |
-- |
Rapping into Power: The Use of Hip Hop in Albanian Politics / |
Statement of responsibility |
Gentian Elezi and Elona Toska -- |
Title |
Nothing Left to Lose: Hip Hop in Bosnia-Herzegovina / |
Statement of responsibility |
Jasmin Mujanović -- |
Title |
Russian Rap in the Era of Vladimir Putin / |
Statement of responsibility |
Philip Ewell -- |
Title |
Rap Music as a Cultural Mediator in Post-Conflict Yugoslavia / |
Statement of responsibility |
Alexandra Baladina -- |
Title |
Part 2: Hip Hop and Emerging Market Economies -- |
-- |
Diesel Power: Serbian Hip Hop from the Pleasure of the Privileged to Mass Youth Culture / |
Statement of responsibility |
Goran Musić and Predrag Vukčević -- |
Title |
"The Underground is for Beggars": Slovak Rap at the Center of National Popular Culture / |
Statement of responsibility |
Peter Barrer -- |
Title |
Music, Technology, and Shifts in Popular Culture: Making Hip Hop in e-Estonia / |
Statement of responsibility |
Triin Vallaste -- |
Title |
Wearing Nikes for a Reason: A Critical Analysis of Brand Usage in Polish Rap / |
Statement of responsibility |
Milosz Miszczynski and Przemyslaw Tomaszewski -- |
Title |
Part 3: Hip Hop on the Margins -- |
-- |
Cosmopolitan Inscriptions? Mimicry, Rap, and Rurbanity in Post-socialist Albania / |
Statement of responsibility |
Nicholas Tochka -- |
Title |
Violence as Existential Punctuation: Russian Hip Hop in the Age of Late Capitalism / |
Statement of responsibility |
Alexandre Gontchar -- |
Title |
Unmasking Expressions in Turkish Rap/Hip Hop Culture: Contestation and Construction of Alternatıve Identities Through Localizatıon in Arabesk Music / |
Statement of responsibility |
Nuran Erol Işik and Murat Can Basaran -- |
Title |
Hip Hop as a Means of Flight from 'Gypsy Ghetto' in Eastern Europe / |
Statement of responsibility |
Michal Ruzicka, Alena Kajanova, Veronika Zvánovcová, and Tomas Mrhalek -- |
Title |
Rapping the Changes in North-East Siberia: Hip Hop, Urbanization, and Sakha Ethnicity / |
Statement of responsibility |
Aimar Ventsel and Eleanor Peers -- |
Title |
Part 4: Hip Hop and Global Circulations of Blackness -- |
-- |
La haine et les autres crimes: Ghettocentric Imagery in Serbian Hip Hop Videos / |
Statement of responsibility |
Irena Sentevska -- |
Title |
The Power of the Words: Discourses of Authenticity in Czech Rap Music / |
Statement of responsibility |
Anna Oravcová -- |
Title |
"Keep it 360": (Re)envisioning The Cultural and Racial Roots of Hip Hop through DJ Rhetoric and Ethnography / |
Statement of responsibility |
Todd Craig. |
520 8# - SUMMARY, ETC. |
Summary, etc. |
Responding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. After the Soviet Union fell, hip hop became popular in urban environments in the region, but it has often been stigmatized as inauthentic, due to an apparent lack of connection to African American historical roots and black identity. Originally strongly influenced by aesthetics from the US, hip hop in Central and Eastern Europe has gradually developed unique, local trajectories, a number of which are showcased in this volume. On the one hand, hip hop functions as a marker of Western cosmopolitanism and democratic ideology, but as the contributors show, it is also a malleable genre that has been infused with so much local identity that it has lost most of its previous associations with?the West? in the experiences of local musicians, audiences, and producers. Contextualizing hip hop through the prism of local experiences and regional musical expressions, these valuable case studies reveal the broad spectrum of its impact on popular culture and youth identity in the post-Soviet world. |
530 ## - COPYRIGHT INFORMATION: |
COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
Uniform Resource Identifier |
<a href="b">b</a> |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Rap (Music) |
Geographic subdivision |
Europe, Eastern |
General subdivision |
History and criticism. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Rap (Music) |
Geographic subdivision |
Europe, Central |
General subdivision |
History and criticism. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Rap (Music) |
General subdivision |
Social aspects |
Geographic subdivision |
Europe, Eastern. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Rap (Music) |
General subdivision |
Social aspects |
Geographic subdivision |
Europe, Central. |
655 #1 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Electronic Books. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Miszczyński, Miłosz, |
Relator term |
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700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Helbig, Adriana, |
Relator term |
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856 40 - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1478071&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1478071&site=eds-live&custid=s3260518</a> |
-- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
DONATED BY: |
|
VENDOR |
EBSCO |
Classification part |
ML |
PUBLICATION YEAR |
2017 |
LOCATION |
ONLINE |
REQUESTED BY: |
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NFIC |
Source of classification or shelving scheme |
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994 ## - |
-- |
92 |
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NT |
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
a |
1 |
b |
Cynthia Snell |
c |
1 |
d |
Cynthia Snell |