MARC details
000 -LEADER |
fixed length control field |
05156cam a2200397Ki 4500 |
001 - CONTROL NUMBER |
control field |
ocn932625385 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240726105013.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
151218s2016 nyu ob 001 0 eng d |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
NT |
Language of cataloging |
eng |
Description conventions |
rda |
-- |
pn |
Transcribing agency |
NT |
Modifying agency |
OCLCO |
-- |
YDXCP |
-- |
IDEBK |
-- |
CDX |
-- |
ZCU |
-- |
EBLCP |
-- |
OCLCO |
-- |
YDX |
-- |
CSAIL |
-- |
OCLCF |
-- |
UBY |
-- |
OCLCQ |
-- |
MERUC |
-- |
BUF |
-- |
OTZ |
-- |
WAU |
-- |
CUY |
-- |
OCLCQ |
-- |
YOU |
-- |
OCLCQ |
-- |
LDP |
-- |
EZ9 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780190226541 |
Qualifying information |
|
050 04 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN1995 |
Item number |
.D638 2016 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
MAIN |
245 10 - TITLE STATEMENT |
Title |
The documentary film reader : |
Remainder of title |
history, theory, criticism / |
Statement of responsibility, etc. |
edited by Jonathan Kahana. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
New York : |
Name of publisher, distributor, etc. |
Oxford University Press, |
Date of publication, distribution, etc. |
(c)2016. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (xviii, 1024 pages) |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Media type code |
c |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Carrier type code |
cr |
Source |
rdacarrier |
347 ## - DIGITAL FILE CHARACTERISTICS |
File type |
data file |
Source |
rda |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographies and index. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Cover; The Documentary Film Reader; Copyright; Contents; Acknowledgments; Foreword; The Documentary Film Reader; I Early Documentary: From the Illustrated Lecture to the Factual Film; 1 Introduction to Section I;)2 "From Lecturer's Prop to Industrial Product: The Early History of Travel Films" (2006);))3 "Burton Holmes Pleases a Large Audience at the Columbia" (1905); 4 "Placing the Spectator on the Scene of History: Modern Warfare and the Battle Reenactment at the Turn of the Century" (2008);)5 "Let There Be Lumière" (1999); 6 "A New Source of History" (1898). |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
7 "Before Documentary: Early Nonfiction Films and the 'View' Aesthetic" (1997); 8 "The Continental Film Company" (1912); 9 Review of In the Land of the Head Hunters (1914); 10 "Playing Primitive" (1999); 11 "Movies of Eskimo Life Win Much Appreciation" (1915); 12 Review of Nanook of the North (1922); 13 "Flaherty's Poetic Moana" (1926); 14 "Flaherty" (1931-32); 15 "Lured by the East: Ethnographic and Expedition Films about Nomadic Tribes; The Case of Grass" (2006); 16 "Compulsive Cameramen" (1925); 17 "New Films Make War Seem More Personal" (1916). |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
18 "Cinema, Spectatorship, and Propaganda: Battle of the Somme (1916) and Its Contemporary Audience" (1997); II Modernisms: State, Left, and Avant-Garde Documentary Between the Wars; 19 Introduction to Section II; 20 "The Art of the Camera: An Experimental "Movie")" (1921); 21 "Montage" (1947); 22 "The Man with the Movie Camera: From Magician to Epistemologist" (1972); 23 "Cinema Weekly and Cinema Truth: Dziga Vertov and the Leninist Proportion" (1973); 24 "WE: Variant of a Manifesto" (1922); 25 "Bridge" (1964); 26 "Reality at Second Hand" (1991); 27 "The Making of Rain" (1969). |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
28 "Reflections on the Avant-Garde Documentary" (1931); 29 "Documentary Surrealism: On Land Without Bread" (1986); 30 "The Documentary Producer" (1933); 31 "First Principles of Documentary" (1932-34); 32 "Home Truths from Abroad" (1937); 33 "Straight Shots and Crooked Plots: Social Documentary and the Avant-Garde in the 1930s" (1995); 34 "The Revolutionary Film: Problem of Form" (1934); 35 "The Revolutionary Film: Next Step" (1934); 36 "A New Approach to Film Making" (1935); 37 Letter from Knoxville (1936); 38 Letter to Jay Leyda (1935); 39 "Down to Earth in Spain" (1937). |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
40 "Historicizing the "Voice of God": The Place of Voice-Over Commentary in Classical Documentary" (1997); 41 "Triumph of the Will: Notes on Documentary and Spectacle" (1979); 42 "Films at the Fair" (1939); III Documentary Propaganda: World War II and the Post-War Citizen; 43 Introduction to Section III; 44 Review of Iwo Jima Newsreels (1945); 45 Review of San Pietro (1945); 46 "The Negro Soldier (1944): Film Propaganda in Black and White" (1979); 47 "On Why We Fight: History, Documentation, and the Newsreel" (1946). |
520 0# - SUMMARY, ETC. |
Summary, etc. |
The Documentary Film Reader brings together an expansive range of writing by scholars, critics, historians, and filmmakers to provide a stimulating foundational text for students and others who want to undertake study of nonfiction film. While documentary has long been a mainstay of universities and cinematheques, its popularity of late has grown tenfold as reality television has flourished and as the ranks of novice filmmakers have swelled. There are now dozens of film festivals dedicated exclusively to documentaries. This reader presents an international perspective on the most significant developments and debates from several decades of critical writing about documentary. It integrates historical and theoretical approaches, offering a collection that is particularly well suited to meet the needs of large undergraduate survey courses on nonfiction film. |
530 ## - COPYRIGHT INFORMATION: |
COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
Uniform Resource Identifier |
<a href="b">b</a> |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Documentary films |
General subdivision |
History and criticism. |
655 #1 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Electronic Books. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Kahana, Jonathan, |
Dates associated with a name |
1966- |
Relator term |
|
856 40 - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1124767&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1124767&site=eds-live&custid=s3260518</a> |
-- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
DONATED BY: |
|
VENDOR |
EBSCO |
Classification part |
PN.. |
PUBLICATION YEAR |
2016 |
LOCATION |
ONLINE |
REQUESTED BY: |
|
-- |
|
-- |
NFIC |
Source of classification or shelving scheme |
|
994 ## - |
-- |
92 |
-- |
NT |
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
a |
1 |
b |
Cynthia Snell |
c |
1 |
d |
Cynthia Snell |