The documentary film reader : (Record no. 85663)

MARC details
000 -LEADER
fixed length control field 05156cam a2200397Ki 4500
001 - CONTROL NUMBER
control field ocn932625385
003 - CONTROL NUMBER IDENTIFIER
control field OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240726105013.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 151218s2016 nyu ob 001 0 eng d
040 ## - CATALOGING SOURCE
Original cataloging agency NT
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency NT
Modifying agency OCLCO
-- YDXCP
-- IDEBK
-- CDX
-- ZCU
-- EBLCP
-- OCLCO
-- YDX
-- CSAIL
-- OCLCF
-- UBY
-- OCLCQ
-- MERUC
-- BUF
-- OTZ
-- WAU
-- CUY
-- OCLCQ
-- YOU
-- OCLCQ
-- LDP
-- EZ9
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780190226541
Qualifying information
050 04 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1995
Item number .D638 2016
049 ## - LOCAL HOLDINGS (OCLC)
Holding library MAIN
245 10 - TITLE STATEMENT
Title The documentary film reader :
Remainder of title history, theory, criticism /
Statement of responsibility, etc. edited by Jonathan Kahana.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. New York :
Name of publisher, distributor, etc. Oxford University Press,
Date of publication, distribution, etc. (c)2016.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (xviii, 1024 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
347 ## - DIGITAL FILE CHARACTERISTICS
File type data file
Source rda
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographies and index.
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note Cover; The Documentary Film Reader; Copyright; Contents; Acknowledgments; Foreword; The Documentary Film Reader; I Early Documentary: From the Illustrated Lecture to the Factual Film; 1 Introduction to Section I;)2 "From Lecturer's Prop to Industrial Product: The Early History of Travel Films" (2006);))3 "Burton Holmes Pleases a Large Audience at the Columbia" (1905); 4 "Placing the Spectator on the Scene of History: Modern Warfare and the Battle Reenactment at the Turn of the Century" (2008);)5 "Let There Be Lumière" (1999); 6 "A New Source of History" (1898).
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note 7 "Before Documentary: Early Nonfiction Films and the 'View' Aesthetic" (1997); 8 "The Continental Film Company" (1912); 9 Review of In the Land of the Head Hunters (1914); 10 "Playing Primitive" (1999); 11 "Movies of Eskimo Life Win Much Appreciation" (1915); 12 Review of Nanook of the North (1922); 13 "Flaherty's Poetic Moana" (1926); 14 "Flaherty" (1931-32); 15 "Lured by the East: Ethnographic and Expedition Films about Nomadic Tribes; The Case of Grass" (2006); 16 "Compulsive Cameramen" (1925); 17 "New Films Make War Seem More Personal" (1916).
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note 18 "Cinema, Spectatorship, and Propaganda: Battle of the Somme (1916) and Its Contemporary Audience" (1997); II Modernisms: State, Left, and Avant-Garde Documentary Between the Wars; 19 Introduction to Section II; 20 "The Art of the Camera: An Experimental "Movie")" (1921); 21 "Montage" (1947); 22 "The Man with the Movie Camera: From Magician to Epistemologist" (1972); 23 "Cinema Weekly and Cinema Truth: Dziga Vertov and the Leninist Proportion" (1973); 24 "WE: Variant of a Manifesto" (1922); 25 "Bridge" (1964); 26 "Reality at Second Hand" (1991); 27 "The Making of Rain" (1969).
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note 28 "Reflections on the Avant-Garde Documentary" (1931); 29 "Documentary Surrealism: On Land Without Bread" (1986); 30 "The Documentary Producer" (1933); 31 "First Principles of Documentary" (1932-34); 32 "Home Truths from Abroad" (1937); 33 "Straight Shots and Crooked Plots: Social Documentary and the Avant-Garde in the 1930s" (1995); 34 "The Revolutionary Film: Problem of Form" (1934); 35 "The Revolutionary Film: Next Step" (1934); 36 "A New Approach to Film Making" (1935); 37 Letter from Knoxville (1936); 38 Letter to Jay Leyda (1935); 39 "Down to Earth in Spain" (1937).
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note 40 "Historicizing the "Voice of God": The Place of Voice-Over Commentary in Classical Documentary" (1997); 41 "Triumph of the Will: Notes on Documentary and Spectacle" (1979); 42 "Films at the Fair" (1939); III Documentary Propaganda: World War II and the Post-War Citizen; 43 Introduction to Section III; 44 Review of Iwo Jima Newsreels (1945); 45 Review of San Pietro (1945); 46 "The Negro Soldier (1944): Film Propaganda in Black and White" (1979); 47 "On Why We Fight: History, Documentation, and the Newsreel" (1946).
520 0# - SUMMARY, ETC.
Summary, etc. The Documentary Film Reader brings together an expansive range of writing by scholars, critics, historians, and filmmakers to provide a stimulating foundational text for students and others who want to undertake study of nonfiction film. While documentary has long been a mainstay of universities and cinematheques, its popularity of late has grown tenfold as reality television has flourished and as the ranks of novice filmmakers have swelled. There are now dozens of film festivals dedicated exclusively to documentaries. This reader presents an international perspective on the most significant developments and debates from several decades of critical writing about documentary. It integrates historical and theoretical approaches, offering a collection that is particularly well suited to meet the needs of large undergraduate survey courses on nonfiction film.
530 ## - COPYRIGHT INFORMATION:
COPYRIGHT INFORMATION COPYRIGHT NOT covered - Click this link to request copyright permission:
Uniform Resource Identifier <a href="b">b</a>
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Documentary films
General subdivision History and criticism.
655 #1 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic Books.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Kahana, Jonathan,
Dates associated with a name 1966-
Relator term
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1124767&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1124767&site=eds-live&custid=s3260518</a>
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942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)
DONATED BY:
VENDOR EBSCO
Classification part PN..
PUBLICATION YEAR 2016
LOCATION ONLINE
REQUESTED BY:
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-- NFIC
Source of classification or shelving scheme
994 ## -
-- 92
-- NT
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN)
a 1
b Cynthia Snell
c 1
d Cynthia Snell
Holdings
Withdrawn status Lost status Damaged status Not for loan Collection Home library Current library Shelving location Date acquired Source of acquisition Total Checkouts Full call number Barcode Date last seen Uniform Resource Identifier Price effective from Koha item type
        Non-fiction G. Allen Fleece Library G. Allen Fleece Library ONLINE 07/07/2023 EBSCO   PN1995.9.6 ocn932625385 07/07/2023 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1124767&site=eds-live&custid=s3260518 07/07/2023 Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)