MARC details
000 -LEADER |
fixed length control field |
03478cam a2200421Ki 4500 |
001 - CONTROL NUMBER |
control field |
ocn930277321 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240726105010.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
151124t20162016nbu ob 001 0 eng d |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
NT |
Language of cataloging |
eng |
Description conventions |
rda |
-- |
pn |
Transcribing agency |
NT |
Modifying agency |
NT |
-- |
YDXCP |
-- |
IDEBK |
-- |
P@U |
-- |
EBLCP |
-- |
CUS |
-- |
OCLCQ |
-- |
OCLCO |
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JSTOR |
-- |
OCL |
-- |
CSAIL |
-- |
CCO |
-- |
MERUC |
-- |
IDB |
-- |
AGLDB |
-- |
LOA |
-- |
VLB |
-- |
COCUF |
-- |
ICA |
-- |
K6U |
-- |
PIFAG |
-- |
FVL |
-- |
OCLCA |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780803293922 |
Qualifying information |
|
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780803293908 |
Qualifying information |
|
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780803293915 |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
n-mx--- |
050 04 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
HQ1181 |
Item number |
.D436 2016 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
MAIN |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Sluis, Ageeth, |
Dates associated with a name |
1964- |
Relator term |
Author |
245 10 - TITLE STATEMENT |
Title |
Deco body, deco city : |
Remainder of title |
female spectacle and modernity in Mexico City, 1900-1939 / |
Statement of responsibility, etc. |
Ageeth Sluis. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Lincoln : |
Name of publisher, distributor, etc. |
University of Nebraska Press, |
Date of publication, distribution, etc. |
(c)2016. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Media type code |
c |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Carrier type code |
cr |
Source |
rdacarrier |
347 ## - DIGITAL FILE CHARACTERISTICS |
File type |
data file |
Source |
rda |
490 1# - SERIES STATEMENT |
Series statement |
The Mexican Experience |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction: city, modernity, spectacle -- |
Title |
Performance: a city of spectacles -- |
-- |
Bataclanismo: from divas to deco bodies -- |
-- |
Camposcape: naturalizing nudity -- |
-- |
Promis-cuidad: projecting pornography and mapping modernity -- |
-- |
Planning the deco city: urban reform -- |
-- |
Mercado Abelardo RodrÃguez -- |
-- |
Palacio de Bellas Artes -- |
-- |
Conclusion: deco bodies, camposcape, and recurrence. |
520 0# - SUMMARY, ETC. |
Summary, etc. |
"In the turbulent decades following the Mexican Revolution, Mexico City saw a drastic influx of female migrants seeking escape and protection from the ravages of war in the countryside. While some settled in slums and tenements, where the informal economy often provided the only means of survival, the revolution, in the absence of men, also prompted women to take up traditionally male roles, created new jobs in the public sphere open to women, and carved out new social spaces in which women could exercise agency. In Deco Body, Deco City, Ageeth Sluis explores the effects of changing gender norms on the formation of urban space in Mexico City by linking aesthetic and architectural discourses to political and social developments. Through an analysis of the relationship between female migration to the city and gender performances on and off the stage, the book shows how a new transnational ideal female physique informed the physical shape of the city. By bridging the gap between indigenismo (pride in Mexico's indigenous heritage) and mestizaje (privileging the ideal of race mixing), this new female deco body paved the way for mestizo modernity. This cultural history enriches our understanding of Mexico's postrevolutionary decades and brings together social, gender, theater, and architectural history to demonstrate how changing gender norms formed the basis of a new urban modernity"-- |
Assigning source |
|
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographies and index. |
530 ## - COPYRIGHT INFORMATION: |
COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
Uniform Resource Identifier |
<a href="b">b</a> |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Women's studies |
Geographic subdivision |
Mexico |
-- |
Mexico City. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Feminism |
Geographic subdivision |
Mexico |
-- |
Mexico City. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Gender nonconformity |
Geographic subdivision |
Mexico |
-- |
Mexico City. |
655 #1 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Electronic Books. |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1097887&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1097887&site=eds-live&custid=s3260518</a> |
-- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
DONATED BY: |
|
VENDOR |
EBSCO |
Classification part |
HQ. |
PUBLICATION YEAR |
2016 |
LOCATION |
ONLINE |
REQUESTED BY: |
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-- |
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-- |
NFIC |
Source of classification or shelving scheme |
|
994 ## - |
-- |
92 |
-- |
NT |
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
a |
1 |
b |
Cynthia Snell |
c |
1 |
d |
Cynthia Snell |