MARC details
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04824cam a2200373Ii 4500 |
| 001 - CONTROL NUMBER |
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ocn897021771 |
| 003 - CONTROL NUMBER IDENTIFIER |
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OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20240726104917.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
141128s2014 kyu ob 001 0 eng d |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
IDEBK |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
IDEBK |
| Modifying agency |
EBLCP |
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P@U |
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OCLCO |
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E7B |
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YDXCP |
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NT |
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CDX |
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OCLCF |
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JSTOR |
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COO |
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TEFOD |
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OCLCQ |
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KUK |
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OCLCO |
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YDX |
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JBG |
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AGLDB |
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NHM |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781322334745 |
| Qualifying information |
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| 050 04 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN1995 |
| Item number |
.P455 2014 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
MAIN |
| 245 10 - TITLE STATEMENT |
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| Title |
The philosophy of war films /edited by David LaRocca. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Lexington, Kentucky : |
| Name of publisher, distributor, etc. |
The University Press of Kentucky, |
| Date of publication, distribution, etc. |
(c)2014. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource (529 pages). |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 347 ## - DIGITAL FILE CHARACTERISTICS |
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| File type |
data file |
| Source |
rda |
| 490 1# - SERIES STATEMENT |
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| Series statement |
The philosophy of popular culture |
| 500 ## - GENERAL NOTE |
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| General note |
"Due to variations in the technical specifications of different electronic reading devices, some elements of this ebook may not appear as they do in the print edition. Readers are encourgaed to experiment with user settings for optimum results"--Added to title page verso in online version (JSTOR platform, viewed May 8, 2017). |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographies and index. |
| 520 0# - SUMMARY, ETC. |
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| Summary, etc. |
"Wars have played a momentous role in shaping the course of human history. The ever-present specter of conflict has made it an enduring topic of interest in popular culture, and many movies, from Hollywood blockbusters to independent films, have sought to show the complexities and horrors of war on-screen. In The Philosophy of War Films, David LaRocca compiles a series of essays by prominent scholars that examine the impact of representing war in film and the influence that cinematic images of battle have on human consciousness, belief, and action. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war Drawing upon analyses of iconic and critically acclaimed war films such as Saving Private Ryan (1998), The Thin Red Line (1998), Rescue Dawn (2006), Restrepo (2010), and Zero Dark Thirty (2012), this volume's examination of the genre creates new ways of thinking about the philosophy of war. A fascinating look at the manner in which combat and its aftermath are depicted cinematically, The Philosophy of War Films is a timely and engaging read for any philosopher, filmmaker, reader, or viewer who desires a deeper understanding of war and its representation in popular culture."--Provided by publisher. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Introduction: war films and the ineffability of war / |
| Statement of responsibility |
David LaRocca -- |
| Title |
The aesthetics of war on screen. War and representation / |
| Statement of responsibility |
Fredric Jameson -- |
| Title |
War pictures: digital surveillance from foreign theater to homeland security front / |
| Statement of responsibility |
Garrett Stewart -- |
| Title |
Lenses into war: digital verite in Iraq war films / |
| Statement of responsibility |
Stacey Peebles -- |
| Title |
Beyond panopticism: the biopolitical labor of surveillance and war in contemporary film / |
| Statement of responsibility |
Joshua Gooch -- |
| Title |
Seeing soldiers, seeing persons: Wittgenstein, film theory, and Charlie Chaplin's Shoulder arms / |
| Statement of responsibility |
Burke Hilsabeck -- |
| Title |
War as condition of self-formation and self-dissolution. Apocalypse within: the war epic as crisis of self-identity / |
| Statement of responsibility |
Garry leaves Hagberg -- |
| Title |
The violated body: affective experience and somatic intensity in Zero dark thirty / |
| Statement of responsibility |
Robert Burgoyne -- |
| Title |
"All in war with time": medium as meditation in Sherman's march / |
| Statement of responsibility |
Lawrence F. Rhu -- |
| Title |
The power of memory and the memory of power: wars and graves in Westerns and Jidaigeki / |
| Statement of responsibility |
Inger S. B. Brodey -- |
| Title |
The ethical tribulations of war. The ubiquitous absence of the enemy in contemporary Israeli war films / |
| Statement of responsibility |
Holger Pötzsch -- |
| Title |
General Patton and Private Ryan: the conflicting reality of war and films about war / |
| Statement of responsibility |
Andrew Fiala -- |
| Title |
The work of art in the age of embedded journalism: fiction versus depiction in Zero dark thirty / |
| Statement of responsibility |
K. l. Evans -- |
| Title |
War, nature, and the absolute. Vernacular metaphysics on Terrence Malick's The thin red line / |
| Statement of responsibility |
Robert Pippin -- |
| Title |
War and its fictional recovery on screen: narrative management of death in The big red one and The thin red line / |
| Statement of responsibility |
Elisabeth Bronfen -- |
| Title |
"Profoundly unreconciled to nature": ecstatic truth and the humanistic sublime in Werner Herzog's war films / |
| Statement of responsibility |
David LaRocca. |
| 530 ## - COPYRIGHT INFORMATION: |
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| COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
| Uniform Resource Identifier |
<a href="b">b</a> |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
War films |
| General subdivision |
History and criticism. |
| 655 #1 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Electronic Books. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
LaRocca, David, |
| Dates associated with a name |
1975- |
| Relator term |
|
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=914949&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=914949&site=eds-live&custid=s3260518</a> |
| -- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
| DONATED BY: |
|
| VENDOR |
EBSCO |
| Classification part |
PN.. |
| PUBLICATION YEAR |
2014 |
| LOCATION |
ONLINE |
| REQUESTED BY: |
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NFIC |
| Source of classification or shelving scheme |
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| 994 ## - |
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92 |
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NT |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
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| a |
1 |
| b |
Cynthia Snell |
| c |
1 |
| d |
Cynthia Snell |