MARC details
| 000 -LEADER |
|---|
| fixed length control field |
03420cam a2200397 i 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
on1004981816 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20240726104757.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
170928s2018 cou o 000 p eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2017046809 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
OCLCO |
| -- |
P@U |
| -- |
YDX |
| -- |
EBLCP |
| -- |
JSTOR |
| -- |
NT |
| -- |
YDX |
| -- |
OCLCF |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781885635600 |
| Qualifying information |
|
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 050 14 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PS3603 |
| Item number |
.W474 2018 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
MAIN |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Chan, Sylvia, |
| Dates associated with a name |
1988- |
| Relator term |
Author |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
We remain traditional : |
| Remainder of title |
poems / |
| Statement of responsibility, etc. |
Sylvia Chan. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Fort Collins, Colorado : |
| Name of publisher, distributor, etc. |
The Center for Literary Publishing, Colorado State University, |
| Date of publication, distribution, etc. |
(c)2018. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 online resource (91 pages). |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 347 ## - DIGITAL FILE CHARACTERISTICS |
|---|
| File type |
data file |
| Source |
rda |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
The mountain west poetry series |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographies and index. |
| 520 0# - SUMMARY, ETC. |
|---|
| Summary, etc. |
"In We Remain Traditional, Sylvia Chan juxtaposes the elegy, the conflict, and the brashness of a relationship that summons wild musicality in its love and frustration. Through the speaker and Adam, the beloveds offer thirty-two consolations for the gendered history of Chinese American women--a break and affirmation of their traditions. What saves these two characters is their music--a peace treaty for the book's form or 'fractured paradise,' a language that protects and protests their bodies in Oakland, California. Marked by vulnerability and intimacy, Chan interrogates a young woman's childhood sexual abuse. In the vein of Stacy Doris and Paul Celan, Chan asks: because she is a child of violent tradition, what is her visceral grief? This is a speaker who aspires to create universal experiences for her listeners, to transform jazz into narrative. This is a wild, beautiful, and ambitious first book: Chan refuses to apologize for the terror in her conviction and compassion. To choose a man who is behind her sexual, psychological, and political exploitation is to forgive his narcissism, aggression, and addiction. To love, simply, is to live unafraid of pushing boundaries and of being happy"--Provided by publisher. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Cover; Contents; ONE; Devotion Song; TWO; Body Canopy; Piano Room; Anabatic Scat; Two Composers From Canton; One Eternal Drop of Gold; The Gravel is One More Thing to Pick Up; Or Else; Summertime; The Part About Fate or Counterpoint; THREE; Mine is Probably an Owl; Brief Aspirations of Love and Genealogy; The Strafing in My Biological Story; All of This to Adam; Unasylumed; It Happened by Accident; No Point in Lucid California; Heat Burst; In the Bellows; The Part About Sacral and Nerve or Temperament; The Part About Love or Cadence; FOUR; Virga; Formidable Handbook; Tues, Sept. 11; Prodrome |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
One Contour in the Narrative BreakBluesâ#x80;#x99; Uppermost Organism; In the Garden; Unasylumed, Unarchived; Vanity; Personal Concept; ONE*; Recapitulation; Notes; Acknowledgements |
| 530 ## - COPYRIGHT INFORMATION: |
|---|
| COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
| Uniform Resource Identifier |
<a href="b">b</a> |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
American poetry |
| Chronological subdivision |
21st century. |
| 655 #1 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Electronic Books. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
|---|
| -- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password. |
| Uniform Resource Identifier |
<a href="httpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1713414&site=eds-live&custid=s3260518">httpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1713414&site=eds-live&custid=s3260518</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
| DONATED BY: |
|
| VENDOR |
EBSCO |
| Classification part |
PS. |
| PUBLICATION YEAR |
2018 |
| LOCATION |
ONLINE |
| REQUESTED BY: |
|
| -- |
|
| -- |
NFIC |
| Source of classification or shelving scheme |
|
| 994 ## - |
|---|
| -- |
92 |
| -- |
NT |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
|---|
| a |
1 |
| b |
Cynthia Snell |
| c |
1 |
| d |
Cynthia Snell |