MARC details
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04847cam a2200397 i 4500 |
| 001 - CONTROL NUMBER |
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ocn927103982 |
| 003 - CONTROL NUMBER IDENTIFIER |
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OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20240726104733.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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150731s2016 mdua obq 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2021677112 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
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pn |
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DLC |
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IDEBK |
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YDXCP |
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EBLCP |
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CDX |
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UBY |
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NRC |
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YDX |
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S2H |
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UKOBU |
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NT |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781442260290 |
| Qualifying information |
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| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN1995 |
| Item number |
.A663 2016 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
MAIN |
| 245 10 - TITLE STATEMENT |
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| Title |
The apocalypse in film : |
| Remainder of title |
dystopias, disasters, and other visions about the end of the world / |
| Statement of responsibility, etc. |
edited by Karen A. Ritzenhoff, Angela Krewani. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Lanham : |
| Name of publisher, distributor, etc. |
Rowman and Littlefield, |
| Date of publication, distribution, etc. |
(c)2016. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource (xxii, 231 pages) |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 347 ## - DIGITAL FILE CHARACTERISTICS |
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| File type |
data file |
| Source |
rda |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographies and index. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
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| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Introduction / |
| Statement of responsibility |
Karen A. Ritzenhoff and Angela Krewani -- |
| Title |
THE EARLY DEPICTIONS OF DISASTER. World War One and Hollywood's First Modern Armageddon: Understanding Wartime and Post-Conflict Representations of a Global Cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921) / |
| Statement of responsibility |
Clémentine Tholas-Disset -- |
| Title |
The end of the world: loss and redemption in Four horsemen of the apocalypse / |
| Statement of responsibility |
Karen Randell -- |
| Title |
GLOBAL DEMISE AND COLD WAR. "Radiation's rising, but one mustn't grumble too much": nuclear apocalypse played as farce in Richard Lester's The bed-sitting room / |
| Statement of responsibility |
Thomas Prasch -- |
| Title |
The legacy of Dr. Strangelove: Stanley Kubrick, science fiction blockbusters and the future of humanity / |
| Statement of responsibility |
Peter Krämer -- |
| Title |
"Gentleman, you can't fight in here": gender symbolism and the end of the world in Dr. Strangelove and Melancholia / |
| Statement of responsibility |
Catriona Mcavoy -- |
| Title |
MELANCHOLIA AND OTHER REPRESENTATIONS OF THE APOCALYSPE. Is there an end to it? fictional shelters and shelter-fiction / |
| Statement of responsibility |
Solvejg Nitzke -- |
| Title |
Melancholia and the apocalypse within / |
| Statement of responsibility |
Pierre Floquet -- |
| Title |
Eco apocalypse: environmentalism, political alienation and therapeutic agency / |
| Statement of responsibility |
Philip Hammond and Hugh Ortega Breton -- |
| Title |
POLITICS OF SHOWING THE UNTHINKABLE. Disaster films: the end of the world and the risk society hero / |
| Statement of responsibility |
Frederick Wasser -- |
| Title |
The (gender) politics of disaster in 2012 / |
| Statement of responsibility |
Charles Antoine Courcoux -- |
| Title |
Tarkovsky's The sacrifice: a religious humanist apocalypse / |
| Statement of responsibility |
Tatjana Ljuji -- |
| Title |
Dead narratives: defining humanity through stories / |
| Statement of responsibility |
A. Fiona Pearson and Scott Ellis -- |
| Title |
MOVING BEYOND THE END OF THE WORLD. Opposing Thatcherism: filmic apocalypse as a political strategy in 1980s Britain / |
| Statement of responsibility |
Angela Krewani -- |
| Title |
Painting in time: on the use of digital visual effects in Melancholia / |
| Statement of responsibility |
Andreas Kirchner -- |
| Title |
The corporate and corporeal: min(d)ing the body conscience and consumption in early 21st century Hollywood dystopia / |
| Statement of responsibility |
Wendy Sterba. |
| 520 0# - SUMMARY, ETC. |
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| Summary, etc. |
The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties--ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier's Melancholia, the focus of several essays. As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet's future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science.--Publisher website. |
| 530 ## - COPYRIGHT INFORMATION: |
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| COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
| Uniform Resource Identifier |
<a href="b">b</a> |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Science fiction films |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Apocalypse in motion pictures. |
| 655 #1 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Electronic Books. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Ritzenhoff, Karen A., |
| Relator term |
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| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Krewani, Angela, |
| Relator term |
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| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| -- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password. |
| Uniform Resource Identifier |
<a href="httpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1086530&site=eds-live&custid=s3260518">httpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1086530&site=eds-live&custid=s3260518</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
| DONATED BY: |
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| VENDOR |
EBSCO |
| Classification part |
PN.. |
| PUBLICATION YEAR |
2016 |
| LOCATION |
ONLINE |
| REQUESTED BY: |
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NFIC |
| Source of classification or shelving scheme |
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| 994 ## - |
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92 |
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NT |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
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| a |
1 |
| b |
Cynthia Snell |
| c |
1 |
| d |
Cynthia Snell |