MARC details
| 000 -LEADER |
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| fixed length control field |
05027cam a2200445Mi 4500 |
| 001 - CONTROL NUMBER |
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| control field |
ocn870588208 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240726104712.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
140215s2014 enk o 000 0 eng d |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
EBLCP |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
EBLCP |
| Modifying agency |
HEBIS |
| -- |
NT |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781408185759 |
| Qualifying information |
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| 050 04 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
BF575 |
| Item number |
.P474 2014 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
NTA |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Citron, Atay. |
| Relator term |
Author |
| 245 10 - TITLE STATEMENT |
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| Title |
Performance Studies in Motion |
| Remainder of title |
International Perspectives and Practices in the Twenty-First Century. |
| Statement of responsibility, etc. |
|
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
London : |
| Name of publisher, distributor, etc. |
Bloomsbury Publishing, |
| Date of publication, distribution, etc. |
(c)2014. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource (415 pages) |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 347 ## - DIGITAL FILE CHARACTERISTICS |
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| File type |
data file |
| Source |
rda |
| 500 ## - GENERAL NOTE |
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| General note |
Description based upon print version of record. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographies and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Title Page; Copyright Page; Contents; Acknowledgements; List of Illustrations; Introduction; Motion I: Performance studies: Perspectives and prospectives; Motion II: Beyond experimental theatre; Motion III: Performance in/of social spaces; Motion IV: Into the political arena; Motion V: At war; Motion VI: Contemporary rituals: Challenges and changes; Motion VII: Applied performance studies: Therapy, activism and education; Motion VIII: Performance studies and life sciences; Motion I Performance Studies: Perspectives and Prospectives |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Chapter 1 Dionysus in 1966: The Force of Performative CircumstancesSymptom; Form and force; Performism; In quest for a Saussure of theatre?; The real thing; Conduction; Chapter 2 Performance Studies 3.0; Chapter 3 Can We Be the (New) Third World?; A PS for PS; Motion II Beyond Experimental Theatre; Chapter 4 Table on Stage: The Rise of the Messenger; Chapter 5 Performing History, Performing Memory with the Théâtre du Soleil; Chapter 6 Textual Dramaturgy and Dramaturg-as-Text: Traditional versus New Dramaturgy in the Era of German Post-Dramatic Theatre*; A note on terminology |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Fidelity to the source textFidelity to the dramaturg; 'Anti'-translation; Motion III Performance in/of Social Spaces; Chapter 7 Re: Location; Relocations: The history of Performance Art Platform; Re: Location: The Tel Aviv New Central Bus Station; Discipline and difference: The Second Law of Thermodynamics (2005); Community and creativity: Old Wives' Tales: Rise Woman and Make Us a Cake (2006); Relocation: Foreign Work (Avoda Zara): Siteseeing Performance (2012); Chapter 8 Critically Civic: Public Movement's Performative Activism; Ceremonial crisis: Also Thus!; Critically regulated: Emergency |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Civic visions: Participatory actionsChapter 9 Rising from the Rubble: Creating the Museum of the History of Polish Jews; Motion IV Into the Political Arena; Chapter 10 The Impossible Disappearance of Belgium: Notes on Politics, Dramaturgy and Performance; Introduction; Political fiction; Political facts; Political theatricality; Belgian theatricality; Conclusions about Belgian political performativity; Chapter 11 National Street Theatre: Large-scale Performances in Poland after the Crash of the Presidential Plane; Act I: The performance of mourning; Act II: The game of the election campaign |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Act III: The drama of the crossAct IV: The struggle for memory; Act V: The anniversary; Chapter 12 'Social Transformance': In Defence of Political Performance/Art; What is 'transformance'?; FLEISCHEREI -- |
| Title |
A mission; The 'Theatre Reform' and the project On Axis as constructive response; Socio-theatrical experiments; Post-democracy, post-dramatics -- |
| -- |
and its discontents; Motion V At War; Chapter 13 Beyond the Boundary of the Agora: The Hilltop Performance at the Western Front, 1915; Chapter 14 Dismantling Road Blocks: Non-Violent Resistance of the Palestinian-Israeli Group 'Combatants for Peace' |
| 500 ## - GENERAL NOTE |
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| General note |
Through direct action: The Shuffa performance |
| 520 0# - SUMMARY, ETC. |
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| Summary, etc. |
Performance Studies in Motion offers multiple perspectives on the current field of performance studies and suggests its future directions. Featuring new essays by pioneers Richard Schechner and Barbara Kirshenblatt-Gimblett, and by international scholars and practitioners, it shows how performance can offer a new way of seeing the world, and testifies to the dynamism of this discipline. Beginning with an overview of the development of performance studies, the essays offer new insights into: contemporary experimental and postdramatic theatre; participatory performance and museum exhibitions; th. |
| 530 ## - COPYRIGHT INFORMATION: |
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| COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
| Uniform Resource Identifier |
<a href="b">b</a> |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Performing arts. |
| 655 #1 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Electronic Books. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Aronson-Lehavi, Sharon. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Zerbib, David. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| -- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password. |
| Uniform Resource Identifier |
<a href="httpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=697299&site=eds-live&custid=s3260518">httpss://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=697299&site=eds-live&custid=s3260518</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
| DONATED BY: |
|
| VENDOR |
EBSCO |
| Classification part |
BF. . |
| PUBLICATION YEAR |
2014 |
| LOCATION |
ONLINE |
| REQUESTED BY: |
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| -- |
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| -- |
NFIC |
| Source of classification or shelving scheme |
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| 994 ## - |
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| -- |
02 |
| -- |
NT |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
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| a |
1 |
| b |
Cynthia Snell |
| c |
1 |
| d |
Cynthia Snell |