MARC details
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05738cam a2200649 i 4500 |
| 001 - CONTROL NUMBER |
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ocn319635231 |
| 003 - CONTROL NUMBER IDENTIFIER |
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OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20240726104241.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
091124s2009 enka b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2009517555 |
| 015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
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| National bibliography number |
GBA815150 |
| Source |
bnb |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
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| Record control number |
014513477 |
| Source |
Uk |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780195321050 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
CXP |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
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CXP |
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BWX |
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CDX |
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VP@ |
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NLGGC |
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STF |
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ORX |
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HEBIS |
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UKM |
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MIX |
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BDX |
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TULIB |
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OCLCQ |
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OCLCA |
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OCLCF |
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YDXCP |
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OCLCQ |
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ATSHR |
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OCL |
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OCLCQ |
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S3O |
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LTU |
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I8M |
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OCLCO |
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OCLCQ |
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NZBWR |
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OCLCO |
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OCL |
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SBI |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
lccopycat |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
SBIR |
| 050 04 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN1994 |
| Item number |
.H698 2009 |
| 050 04 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN1994 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Monaco, James, |
| Dates associated with a name |
1942-, |
| Relator term |
Author |
| 245 10 - TITLE STATEMENT |
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| Title |
How to read a film : |
| Remainder of title |
movies, media, and beyond : art, technology, language, history, theory / |
| Statement of responsibility, etc. |
James Monaco ; with diagrams by David Lindroth. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
forth edition., completely rev. and expandedition. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Oxford ; |
| -- |
New York : |
| Name of publisher, distributor, etc. |
Oxford University Press, |
| Date of publication, distribution, etc. |
(c)2009. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
729 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
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| General note |
1. Film As An Art |
| 500 ## - GENERAL NOTE |
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| General note |
2. Technology: Image and Sound |
| 500 ## - GENERAL NOTE |
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| General note |
3. The Language of Film: Signs and Syntax |
| 500 ## - GENERAL NOTE |
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| General note |
4. The Shape of Film History |
| 500 ## - GENERAL NOTE |
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| General note |
5. Film Theory: Form and Function |
| 500 ## - GENERAL NOTE |
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| General note |
6. Media: In the Middle of Things |
| 500 ## - GENERAL NOTE |
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| General note |
7. Multimedia: The Digital Revolution |
| 500 ## - GENERAL NOTE |
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| General note |
Film and Media: A Chronology |
| 500 ## - GENERAL NOTE |
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| General note |
Reading About Film and Media: A Select Library |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
|
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Art and Technology -- |
| Title |
Image Technology -- |
| -- |
Sound Technology -- |
| -- |
The Lens -- |
| -- |
The Camera -- |
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The Filmstock -- |
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Negatives, Prints, and Generations -- |
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Aspect Ratio -- |
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Grain, Gauge, and Speed -- |
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Color, Contrast, and Tone -- |
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The Soundtrack -- |
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Post-Production -- |
| -- |
Editing -- |
| -- |
Mixing and Looping -- |
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Special Effects -- |
| -- |
Opticals, the Lab, and the Post House -- |
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Video and Film -- |
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Projection -- |
| -- |
Digital Tipping Points. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Community -- |
| Title |
Print and Electronic Media -- |
| -- |
The Technology of Mechanical and Electronic Media -- |
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Radio and Records -- |
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Television and Video -- |
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"Broadcasting": The Business -- |
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"Television": The Art -- |
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"TV": The Virtual Family. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Film as an Art -- |
| Title |
The Technology of Film and Media -- |
| -- |
The Language of Film -- |
| -- |
Film History -- |
| -- |
Film Theory and Practical Criticism -- |
| -- |
Media -- |
| -- |
New Media -- |
| -- |
Film Reference: A Brief History -- |
| -- |
Antidotes. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
From Analog to Digital -- |
| Title |
The Myth of Multimedia -- |
| -- |
The Myth of Virtual Reality -- |
| -- |
The Myth of Cyberspace -- |
| -- |
The Mediasphere. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Movies/Film/Cinema -- |
| Title |
"Movies": Economics -- |
| -- |
"Film": Politics -- |
| -- |
"Cinema": Esthetics -- |
| -- |
Creating an Art: Lumiere versus Melies -- |
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The Silent Feature: Realism versus Expressionism -- |
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Hollywood: Genre versus Auteur -- |
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Neorealism and After: Hollywood versus the World -- |
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The New Wave and the Third World: Entertainment versus Communication -- |
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The Postmodern Sequel: Democracy, Technology, End of Cinema -- |
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Beyond Cinema: Metafiction, Metareality. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Signs -- |
| Title |
The Physiology of Perception -- |
| -- |
Denotative and Connotative Meaning -- |
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Syntax -- |
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Codes -- |
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Mise-en-Scene -- |
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The Framed Image -- |
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The Diachronic Shot -- |
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Sound -- |
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Montage. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The Nature of Art -- |
| Title |
Ways of Looking At Art -- |
| -- |
The Spectrum of Abstraction -- |
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The Modes of Discourse -- |
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The "Rapports de Production" -- |
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Film, Recording, and the Other Arts -- |
| -- |
Film, Photography, and Painting -- |
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Film and the Novel -- |
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Film and Theater -- |
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Film and Music -- |
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Film and the Environmental Arts -- |
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The Structure of Art. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The Poet and the Philosopher: Lindsay and Munsterberg -- |
| Title |
Expressionism and Realism: Arnheim and Kracauer -- |
| -- |
Montage: Pudovkin, Eisenstein, Balazs, and Formalism -- |
| -- |
Mise-en-Scene: Neorealism, Bazin, and Godard -- |
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Film Speaks and Acts: Metz and Contemporary Theory. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
To 1895: Prehistory -- |
| Title |
1896-1915: The Birth of Film -- |
| -- |
1916-1930: Silent Film, Radio, and Sound Film -- |
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1931-1945: The Great Age of Hollywood and Radio -- |
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1946-1960: The Growth of Television -- |
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1961-1980: The Media World -- |
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1981-1999: The Digital Transition -- |
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2000-Present: The New Century. |
| 520 3# - SUMMARY, ETC. |
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| Summary, etc. |
As in previous editions, Monaco once again looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other artistic media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to understand how films convey meaning and, more important, how we can best discern all that a film is attempting to communicate. In addition, Monaco stresses the still-evolving digital context of film throughout--one of the new sections looks at the untrustworthy nature of digital images and sound--and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, telepresence, and ther proximity to film. |
| 530 ## - COPYRIGHT INFORMATION: |
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| COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Motion pictures |
| General subdivision |
Criticism and interpretation. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Motion pictures |
| General subdivision |
Technique. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Motion pictures. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Peliculas cinematograficas. |
| 907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
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| a |
.b17295750 |
| b |
06-29-17 |
| c |
06-29-17 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
|
| Classification part |
|
| PUBLICATION YEAR |
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| VENDOR |
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| Delivery Date: ACADEMIC YEAR - ie 2022-2023 |
2020-10-24 |
| COST |
29.95 |
| 945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
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| g |
1 |
| i |
31923001746581 |
| j |
2 |
| l |
cirr |
| n |
Purchased from YBP INV 150990 Date: 6/19/2017 PO: RESERVE-6-17R Request Type: Bibliography COM 2210 DeLozier |
| o |
- |
| p |
29.95 |
| q |
- |
| r |
- |
| s |
o -- |
| t |
71 |
| u |
0 |
| v |
0 |
| w |
0 |
| x |
0 |
| y |
.i20419843 |
| z |
06-29-17 |
| 994 ## - |
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C0 |
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SBI |
| 998 ## - LOCAL CONTROL INFORMATION (RLIN) |
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| -- |
cir |
| Operator's initials, OID (RLIN) |
06-29-17 |
| Cataloger's initials, CIN (RLIN) |
m |
| First date, FD (RLIN) |
a |
| -- |
- |
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eng |
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enk |
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0 |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
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| a |
1 |
| b |
Cynthia Snell |
| c |
1 |
| d |
Cynthia Snell |