The power of Black music : (Record no. 41265)

MARC details
000 -LEADER
fixed length control field 03515pam a2200421 i 4500
001 - CONTROL NUMBER
control field ocm29670104
003 - CONTROL NUMBER IDENTIFIER
control field OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240726102254.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 940103s1995 nyua bkq 001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 94000021 /MN
039 02 - LEVEL OF BIBLIOGRAPHIC CONTROL AND CODING DETAIL [OBSOLETE]
Level of rules in bibliographic description CI ocm29670104
039 05 - LEVEL OF BIBLIOGRAPHIC CONTROL AND CODING DETAIL [OBSOLETE]
Level of rules in bibliographic description NG 0000014849
039 07 - LEVEL OF BIBLIOGRAPHIC CONTROL AND CODING DETAIL [OBSOLETE]
Level of rules in bibliographic description VO 94000021
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Description conventions rda
Transcribing agency DLC
Modifying agency SBI
043 ## - GEOGRAPHIC AREA CODE
Geographic area code n-us---
049 02 - LOCAL HOLDINGS (OCLC)
Holding library SBIM
049 05 - LOCAL HOLDINGS (OCLC)
Holding library ZKG
049 06 - LOCAL HOLDINGS (OCLC)
Holding library SGE
049 07 - LOCAL HOLDINGS (OCLC)
Holding library VCM
050 04 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML3556.F645.P694 1995
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Floyd, Samuel A,
Relator term Author
245 04 - TITLE STATEMENT
Title The power of Black music :
Remainder of title interpreting its history from Africa to the United States /
Statement of responsibility, etc. Samuel A. Floyd, Jr.
Medium [print]
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. New York :
Name of publisher, distributor, etc. Oxford University Press,
Date of publication, distribution, etc. (c)1995.
300 ## - PHYSICAL DESCRIPTION
Extent 316 pages :
Other physical details illustrations ;
Dimensions 25 cm.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note African music, religion, and narrative --
Title Transformations --
-- Syncretization and synthesis : folk and written traditions --
-- African-American modernism, signifyin(g), and black music --
-- The negro renaissance : Harlem and Chicago flowerings --
-- Transitions : function and difference in myth and ritual --
-- Continuity and discontinuity : the fifties --
-- The sixties and after --
-- Troping the blues : From spirituals to the concert hall --
-- The object of call-response : the signifyin(g) symbol --
-- Implications and conclusions.
520 0# - SUMMARY, ETC.
Summary, etc. Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths, and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr., advocates a new critical approach grounded in the forms and traditions of the music itself. He accompanies readers on a fascinating journey from the African ring, through the ring shout's powerful merging of music and dance in the slave culture, to the funeral parade practices of the early New Orleans jazzmen, the bluesmen in the twenties, the beboppers in the forties, and the free jazz, rock, Motown, and concert hall composers of the sixties and beyond. Floyd dismisses the assumption that Africans brought to the United States as slaves took the music of whites in the New World and transformed it through their own performance practices. Instead, he recognizes European influences, while demonstrating how much black music has continued to share with its African counterparts. Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory [Publisher description]
530 ## - COPYRIGHT INFORMATION:
COPYRIGHT INFORMATION COPYRIGHT NOT covered - Click this link to request copyright permission:
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element African Americans
General subdivision Music
-- History and criticism.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Music
Geographic subdivision United States
General subdivision History and criticism.
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN)
a .b10854460
b 06-23-14
c 01-22-08
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Circulating Book (checkout times vary with patron status)
Classification part ML
PUBLICATION YEAR 1995
998 ## - LOCAL CONTROL INFORMATION (RLIN)
-- cim
-- ng
-- swg
-- vcr
Operator's initials, OID (RLIN) 05-26-09
Cataloger's initials, CIN (RLIN) m
First date, FD (RLIN) a
-- -
-- eng
-- nyu
-- 0
945 ## - LOCAL PROCESSING INFORMATION (OCLC)
g 1
i 31923000883963
j 2
l cimc
n "repair" status after fire
o -
p 0.00
q -
r -
s - --
t 61
u 2
v 0
w 2
x 0
y .i11228295
z 01-22-08
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN)
a 1
b Cynthia Snell
c 1
d Cynthia Snell
Holdings
Withdrawn status Lost status Damaged status Not for loan Collection Home library Current library Shelving location Date acquired Cost, normal purchase price Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
        Non-fiction G. Allen Fleece Library G. Allen Fleece Library CIRCULATING COLLECTION 07/14/2018 0.00   ML3556.F65 1995 31923000883963 01/30/2024 07/14/2018 Circulating Book (checkout times vary with patron status)