MARC details
000 -LEADER |
fixed length control field |
05603nam a2200385 i 4500 |
001 - CONTROL NUMBER |
control field |
ocm28588005 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240726102248.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
920506s1992 enkag b 001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
92156441 /MN |
015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
National bibliography number |
GB91-20118 |
039 02 - LEVEL OF BIBLIOGRAPHIC CONTROL AND CODING DETAIL [OBSOLETE] |
Level of rules in bibliographic description |
CI ocm28588005 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
UKM |
-- |
TMS |
-- |
XIM |
-- |
SBI |
049 02 - LOCAL HOLDINGS (OCLC) |
Holding library |
SBIM |
Copy statement |
1 |
Primary bibliographic subdivision |
1-2 |
050 04 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
ML55.P346.C667 1992 |
245 00 - TITLE STATEMENT |
Title |
Companion to contemporary musical thought / |
Statement of responsibility, etc. |
edited by John Paynter ... [and others. |
Medium |
[print] |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
London ; |
-- |
New York : |
Name of publisher, distributor, etc. |
Routledge, |
Date of publication, distribution, etc. |
(c)1992. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
2 volume (xxxviii, 1208 pages) : |
Other physical details |
illustrations, music ; |
Dimensions |
24 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographies and index. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Volume 1. Music, the modern world, and the burden of history |
Statement of responsibility |
Wilfrid Mellers -- |
Title |
Part I : People and music. Music and people : the import of structure and form |
Statement of responsibility |
John Paynter -- |
Title |
Music, non-music and the soundscape |
Statement of responsibility |
R. Murray Schafer -- |
Title |
Music in concert and music in the background : two poles of musical realization |
Statement of responsibility |
Hanns-Werner Heister -- |
Title |
Public performance and the concert as categories of musical action |
Statement of responsibility |
Imgard Bontinck -- |
Title |
What makes music musical? / Keith Swanwick -- |
-- |
The action value of musical experience and learning |
Statement of responsibility |
Thomas A. Regelski -- |
Title |
Music as cultural text |
Statement of responsibility |
John Shepherd -- |
Title |
Music and the arts in pre-Renaissance and Renaissance worship : a question of "expression" / Peter Le Huray -- |
-- |
Handel's ghost : the composer's posthumous reputation in the eighteenth century |
Statement of responsibility |
Ellen T. Harris -- |
Title |
On patronage : "Musick, that mind-tempering art" / Anthony Rooley -- |
-- |
Cloverleaf : a little narrative with several "off-ramps" / Lou Harrison -- |
-- |
Speculative music : the numbers behind the notes |
Statement of responsibility |
Joscelyn Godwin -- |
Title |
Text, context, music |
Statement of responsibility |
Istvan Anhalt -- |
Title |
On making music out of music |
Statement of responsibility |
Edwin London -- |
Title |
Verso-l'uno |
Statement of responsibility |
Walter Branchi. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Part II : The technology of music. Musical, cultural and educational implications of digital technology |
Statement of responsibility |
Richard Orton -- |
Title |
A technological approach to music |
Statement of responsibility |
F. Richard Moore -- |
Title |
Towards a new age in the technology of computer music |
Statement of responsibility |
Peter Manning -- |
Title |
Electroacoustic music and the soundscape : the inner and outer world |
Statement of responsibility |
Barry Truax -- |
Title |
Composition with machines |
Statement of responsibility |
Curtis Roads -- |
Title |
Artistic necessity, context orientation, configurable space |
Statement of responsibility |
Craig R. Harris -- |
Title |
Flying through a musical space : about real-time composition |
Statement of responsibility |
Joel Chadabe -- |
Title |
Music and image on film and video : an absolute alternative |
Statement of responsibility |
David Kershaw -- |
Title |
New musical instruments in the computer age : amplified performance systems and related examples of low-level technology |
Statement of responsibility |
Hugh Davies -- |
Title |
The listening imagination : listening in the electroacoustic era |
Statement of responsibility |
Denis Smalley -- |
Title |
Composers and audiences : new relationships in the technological age |
Statement of responsibility |
Bruce Pennycook -- |
Title |
Music and technology : problems and possibilities |
Statement of responsibility |
Trevor Wishart -- |
Title |
Composing sounds with computers |
Statement of responsibility |
Jean-Claude Risset. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Volume 2. Part III : The structure of music. Does it really mean anything? Some aspects of musical meaning |
Statement of responsibility |
Lorentz Reitan -- |
Title |
Musical analysis : commentaries |
Statement of responsibility |
Jonathan Dunsby -- |
Title |
Analysis and psychoanalysis : Wagner's musical metaphors |
Statement of responsibility |
Christopher Wintle -- |
Title |
Analysis and performance : the search for a middleground |
Statement of responsibility |
Tim Howell -- |
Title |
Analysis and the computer |
Statement of responsibility |
Robert Sherlaw-Johnson -- |
Title |
New directions : the conception and development of a composition |
Statement of responsibility |
Jonathan Harvey -- |
Title |
Morty Feldman is dead |
Statement of responsibility |
James Fulkerson -- |
Title |
From improvisation to composition |
Statement of responsibility |
Richard Orton -- |
Title |
Improvisation |
Statement of responsibility |
Neil Sorrell -- |
Title |
Improvisation, cognition and education |
Statement of responsibility |
Eric F. Clarke -- |
Title |
Psychological structures in music : core research 1980-1990 |
Statement of responsibility |
John A. Sloboda -- |
Title |
Aural training : material and method |
Statement of responsibility |
George Pratt -- |
Title |
Aspects of melody : an examination of the structure of Jewish and Gregorian chants |
Statement of responsibility |
Yehezkel Braun -- |
Title |
Music, number and rhetoric in the early Middle Ages |
Statement of responsibility |
John Stevens. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Part IV : The interpretation of music. Oratory and performance |
Statement of responsibility |
Peter Seymour -- |
Title |
Present and past : intermediaries and interpreters |
Statement of responsibility |
Wilfrid Mellers -- |
Title |
Performance practice studies : some current approaches to the Early Music phenomenon |
Statement of responsibility |
Peter Williams -- |
Title |
Renaissance attitudes to performance : a contemporary application |
Statement of responsibility |
Anthony Rooley -- |
Title |
Musical instruments and performers of the past |
Statement of responsibility |
Francis Baines -- |
Title |
Pst ... Pst ... are you listening? Hearing voices from yesterday |
Statement of responsibility |
Istvan Anhalt -- |
Title |
Historical approaches to violin playing |
Statement of responsibility |
Duncan Druce -- |
Title |
Vocal consort style and tunings |
Statement of responsibility |
Rogers Covey-Crump -- |
Title |
Authentic pronunciation for Early Music |
Statement of responsibility |
Alison Wray -- |
Title |
Liturgical reconstructions : an apologia and some guidelines |
Statement of responsibility |
Graham Dixon -- "Anthemes for Versus and Chorus ... apt for Viols and Voyces" : the development of the English consort anthem, with some approaches to performance practice |
-- |
John Bryan -- "An Addicion of Wyer Stringes beside the Ordenary Stringes" : the origin of the baryton |
-- |
Peter Holman -- |
Title |
Producer for Early Music : a cog in the mechanism of musical life |
Statement of responsibility |
Klaus L. Neumann -- |
Title |
Lutoslawski and a view of musical perspective |
Statement of responsibility |
Philip Wilby. |
530 ## - COPYRIGHT INFORMATION: |
COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Music |
General subdivision |
History and criticism. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Music |
General subdivision |
Philosophy and aesthetics. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Paynter, John. |
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
a |
.b10841271 |
b |
11-19-14 |
c |
01-22-08 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Circulating Book (checkout times vary with patron status) |
Classification part |
ML |
PUBLICATION YEAR |
1992 |
998 ## - LOCAL CONTROL INFORMATION (RLIN) |
-- |
cim |
Operator's initials, OID (RLIN) |
05-26-09 |
Cataloger's initials, CIN (RLIN) |
m |
First date, FD (RLIN) |
a |
-- |
- |
-- |
eng |
-- |
enk |
-- |
0 |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
g |
1 |
i |
31923000869863 |
j |
2 |
l |
cimc |
n |
"repair" status after fire |
o |
- |
p |
0.00 |
q |
- |
r |
- |
s |
- -- |
t |
61 |
u |
0 |
v |
0 |
w |
0 |
x |
0 |
y |
.i11209227 |
z |
01-22-08 |
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
a |
1 |
b |
Cynthia Snell |
c |
1 |
d |
Cynthia Snell |