MARC details
| 000 -LEADER |
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| fixed length control field |
04433cam a2200505 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
on1017664251 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20241206122334.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
180102s2017 moua 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2017931253 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781449482138 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1449482139 |
| 029 1# - OTHER SYSTEM CONTROL NUMBER (OCLC) |
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| OCLC library identifier |
AU@ |
| System control number |
000068449629 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)1017664251 |
| Canceled/invalid control number |
(OCoLC)1021062879 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
PNX |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
PNX |
| Modifying agency |
OCLCO |
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JDP |
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OCLCQ |
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TOH |
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FO7 |
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OCLCF |
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SZR |
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WSD |
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NYSIA |
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OCLCQ |
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OCLCO |
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FPJ |
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OCLCO |
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ZQP |
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GYG |
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OCLCO |
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OCLCQ |
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OCLCO |
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OCLCL |
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IAK |
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OCLCQ |
| 050 14 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
N5302.S775.M663 2017 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
709 |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Strickland, Carol, |
| Relator term |
Author |
| 245 14 - TITLE STATEMENT |
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| Title |
The annotated Mona Lisa : |
| Remainder of title |
a crash course in art history from prehistoric to the present / |
| Statement of responsibility, etc. |
Carol Strickland and John Boswell. |
| Medium |
[print] |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
Third edition. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
Kansas City, Missouri : |
| Name of producer, publisher, distributor, manufacturer |
Andrews McMeel Publishing, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2017] |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
222 pages : |
| Other physical details |
illustrations (some color) ; |
| Dimensions |
27 cm |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Miscellaneous information |
Introduction: |
| Title |
How to look at a painting -- |
| -- |
The Birth of Art : Prehistoric Through Medieval. |
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Prehistoric art : the beginning ; |
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Mesopotamia : the architects ; |
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Egypt : the art of immortality ; |
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Greece : they invented a lot more than the Olympics ; |
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Rome : the organizers ; |
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Pre-Columbian art of the Americas : new world art when it was still an old war ; |
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African art : the first Cubists ; |
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The Middle Ages : the reign of religion -- |
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The Rebirth of Art : Renaissance and Baroque. |
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The Renaissance : the beginning of modern painting ; |
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Baroque : the ornate age -- |
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The Nineteenth Century : Birth of the "isms". |
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Neoclassicism : Roman fever ; |
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Goya : man without an "ism" ; |
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Romanticism : the power of passion ; |
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Realism ; |
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Architecture for the industrial age ; |
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Art nouveau ; |
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Birth of photography ; |
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Impressionism : let there be color and light ; |
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Rodin : first modern sculptor ; |
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Post-impressionism ; |
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Early expressionism ; |
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Symbolism ; |
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The birth of modern architecture -- |
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The Twentieth Century : Modern Art. |
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Fauvism : exploding color ; |
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Twentieth-century sculpture : a new look ; |
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Twin titans of the twentieth century : Matisse and Picasso ; |
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Cubism ; |
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Modernism outside of France ; |
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Mondarian : harmony of opposites ; |
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Modernist architecture : geometry to live in ; |
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Dada and Surrealism : art between the wars ; |
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Photography comes of age ; |
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American art : 1908-40 ; |
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Abstract expressionism ; |
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Figural expressionism : not just a pretty face ; |
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Post-war sculpture ; |
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Color field -- |
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The Twentieth Century : Contemporary Art. |
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Hard edge ; |
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Pre-pop art ; |
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Pop art ; |
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Minimalism : the cool school ; |
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Conceptual art : invisible visual art ; |
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Contemporary architecture ; |
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Photography : what's new ; |
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Photo-realism ; |
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Neo-expressionism ; |
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The new breed : post-modern art ; |
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Contemporary art -- |
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The Twenty-First Century : State of the Art. |
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Outsider art comes inside the canon ; |
| -- |
Neo-pop ; |
| -- |
California culture ; |
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Performance and participatory art ; |
| -- |
Installation art ; |
| -- |
Asian art takes the stage ; |
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Photography shines : from abstract to exact ; |
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Big ideas : new sculpture ; |
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Figure and form : painting makes a point ; |
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Abstract painting : Scully's windows on the world ; |
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New media art : high-tech trump's high-touch ; |
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Eco-art : it's not easy being green. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
An illustrated tutorial of prehistoric to contemporary world art, from cave paintings to video art installations to digital and Internet media in an easy-to-understand format. |
| 530 ## - COPYRIGHT INFORMATION: |
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| COPYRIGHT INFORMATION |
- COPYRIGHT: covered - CIU has obtained rights for you to copy and share this title in electronic or print format with students, faculty, and staff. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Art |
| General subdivision |
History |
| Form subdivision |
Outlines, syllabi, etc. |
| 650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Art |
| General subdivision |
Histoire |
| Form subdivision |
Résumés, programmes, etc. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Art. |
| Source of heading or term |
fast |
| Authority record control number or standard number |
(OCoLC)fst00815177 |
| 655 #4 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
History. |
| 655 #4 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Outlines and syllabi. |
| 655 #7 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
History. |
| Source of term |
fast |
| Authority record control number or standard number |
(OCoLC)fst01411628 |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Outlines and syllabi. |
| Source of term |
fast |
| Authority record control number or standard number |
(OCoLC)fst01423836 |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Outlines and syllabi. |
| Source of term |
lcgft |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Résumés et programmes. |
| Source of term |
rvmgf |
| 656 ## - INDEX TERM--OCCUPATION |
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| CIU Program Relationship |
COLLEGE OF ARTS AND SCIENCES |
| 658 ## - INDEX TERM--CURRICULUM OBJECTIVE |
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| Main curriculum objective |
ART |
| Curriculum code |
ART 2120 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Boswell, John, |
| Dates associated with a name |
1945- |
| Relator term |
|
| Real World Object URI |
https://id.oclc.org/worldcat/entity/E39PBJghhTm96kjxHkrxCfGPwC |
| 758 ## - RESOURCE IDENTIFIER |
|---|
| Relationship information |
has work: |
| Label |
The annotated Mona Lisa (Text) |
| Real World Object URI |
https://id.oclc.org/worldcat/entity/E39PCGQYbbrm7JrRBp6kRckJQm |
| Relationship |
https://id.oclc.org/worldcat/ontology/hasWork |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
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| a |
1 |
| b |
Cynthia Snell |
| c |
1 |
| d |
Cynthia Snell |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| print -BUDGET LINE 10-1411-7022-? |
0 |
| Koha item type |
Reserved Book (2-hr checkout) |
| 948 ## - LOCAL PROCESSING INFORMATION (OCLC); SERIES PART DESIGNATOR (RLIN) |
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| h (OCLC) |
NO HOLDINGS IN SBI - 162 OTHER HOLDINGS |