MARC details
000 -LEADER |
fixed length control field |
03358cam a2200433Mi 4500 |
001 - CONTROL NUMBER |
control field |
ocn863054083 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240726105437.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
130522t20132013onc ob 001 0 eng d |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
CELBN |
Language of cataloging |
eng |
Description conventions |
rda |
-- |
pn |
Transcribing agency |
CELBN |
Modifying agency |
OCLCO |
-- |
IAL |
-- |
NT |
-- |
YDXCP |
-- |
JSTOR |
-- |
E7B |
-- |
OCLCQ |
-- |
JSTOR |
-- |
OCLCA |
-- |
OCLCF |
-- |
OCLCO |
-- |
OCLCQ |
-- |
OCLCO |
-- |
YDX |
-- |
OCLCO |
-- |
AGLDB |
-- |
OCLCA |
-- |
EBLCP |
-- |
OCLCA |
-- |
OCLCQ |
-- |
MERUC |
-- |
STF |
-- |
OCLCA |
-- |
VTS |
-- |
AU@ |
-- |
OCLCQ |
-- |
EZ9 |
-- |
LVT |
-- |
UKAHL |
-- |
OCLCQ |
-- |
AJS |
-- |
OCLCO |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781442668317 |
Qualifying information |
|
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
e-it--- |
050 04 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN1995 |
Item number |
.U545 2013 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
MAIN |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Renga, Dana, |
Dates associated with a name |
1971- |
Relator term |
Author |
245 10 - TITLE STATEMENT |
Title |
Unfinished business : |
Remainder of title |
screening the Italian Mafia in the new millennium / |
Statement of responsibility, etc. |
Dana Renga. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Toronto [Ontario] : |
Name of publisher, distributor, etc. |
University of Toronto Press, |
Date of publication, distribution, etc. |
(c)2013. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (viii, 256 pages) |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Media type code |
c |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Carrier type code |
cr |
Source |
rdacarrier |
347 ## - DIGITAL FILE CHARACTERISTICS |
File type |
data file |
Source |
rda |
490 1# - SERIES STATEMENT |
Series statement |
Toronto Italian studies |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographies and index. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction: Trauma, gender, and recent Italian Mafia cinema -- |
Title |
Oedipal conflicts in Marco Tullio Giordana's I cento passi -- |
-- |
Honour, shame and vendetta: Pasquale Scimeca's Placido Rizzotto -- |
-- |
Mafia women in a man's world: Roberta Torre's Angela -- |
-- |
The Mafia noir: Paolo Sorrentino's Le conseguenze dell'amore -- |
-- |
Men of honour, man of glass: Stefano Incerti's L'uomo di vetro -- |
-- |
The female mob boss: Edoardo Winspeare's Galantuomini -- |
-- |
Melancholia and the mob weepie: Davide Barletti and Lorenzo Conte's Fine pena mai: Paradiso perduto -- |
-- |
Mourining disavowed: Matteo Garrone's Gomorra -- |
-- |
Recasting Rita Atria in Marco Amenta's La siciliana ribelle -- |
-- |
Trauma postponed: Claudio Cupellini's Una vita tranquilla -- |
-- |
Epilogue: Why must Caesar die? |
520 0# - SUMMARY, ETC. |
Summary, etc. |
"Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy. |
520 0# - SUMMARY, ETC. |
Summary, etc. |
Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished."--Pub. desc. |
530 ## - COPYRIGHT INFORMATION: |
COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
Uniform Resource Identifier |
<a href="b">b</a> |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Gangster films |
Geographic subdivision |
Italy |
General subdivision |
History and criticism. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Mafia in motion pictures. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Psychic trauma in motion pictures. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Motion pictures and women. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Gangster films |
Geographic subdivision |
Italy. |
655 #1 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Electronic Books. |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=660256&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=660256&site=eds-live&custid=s3260518</a> |
-- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
DONATED BY: |
|
VENDOR |
EBSCO |
Classification part |
PN.. |
PUBLICATION YEAR |
2013 |
LOCATION |
ONLINE |
REQUESTED BY: |
|
-- |
|
-- |
NFIC |
Source of classification or shelving scheme |
|
994 ## - |
-- |
92 |
-- |
NT |
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
a |
1 |
b |
Cynthia Snell |
c |
1 |
d |
Cynthia Snell |