MARC details
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04060nam a2200397Ki 4500 |
| 001 - CONTROL NUMBER |
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ocn865019624 |
| 003 - CONTROL NUMBER IDENTIFIER |
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OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20240726105437.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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131211s2013 onc ob 001 0 eng d |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
NT |
| Language of cataloging |
eng |
| Description conventions |
rda |
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pn |
| Transcribing agency |
NT |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781442667334 |
| Qualifying information |
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| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
e-it--- |
| 050 04 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PQ4139 |
| Item number |
.P648 2013 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
NTA |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Di Maria, Salvatore, |
| Relator term |
Author |
| 245 10 - TITLE STATEMENT |
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| Title |
The poetics of imitation in the Italian theatre of the Renaissance /Salvatore Di Maria. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Toronto : |
| Name of publisher, distributor, etc. |
University of Toronto Press, |
| Date of publication, distribution, etc. |
(c)2013. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource (x, 222 pages) |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 347 ## - DIGITAL FILE CHARACTERISTICS |
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| File type |
data file |
| Source |
rda |
| 490 1# - SERIES STATEMENT |
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| Series statement |
Toronto Italian studies |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographies and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Chapter I. Imitation: The link between past and present -- |
| Title |
1. The Humanists turn to the Ancients -- |
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2. From the Classical stage to the theater of Renaissance -- |
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3. The poetics of the new theater -- |
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Chapter II. Machiavelli's Mandragola -- |
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1. The characters: imitation vs. source -- |
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2. New characters -- |
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3. Machiavellian morality -- |
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Chapter III. Clizia. Form stage to stage -- |
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1. The sons -- |
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2. The fathers -- |
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3. The wives -- |
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4. A Machiavellian perspective -- |
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Chapter IV. Cecchi's Assiuolo: An apian imitation -- |
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1. A contaminatio of sources -- |
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2. Ambrogio: An original amator senex -- |
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3. Oretta's immorality as a reflection of the times -- |
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Chapter V. Groto's Emilia: Fiction meets reality -- |
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1. From the sources to the adaptation -- |
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2. The stage pretense of realism undermined -- |
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3. Erifila: a Venetian courtesan. -- |
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Chapter VI. Gli duoi fratelli rivali. Della Porta adapts Bandello's prose narrative to the stage -- |
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1. The source's King vs. the play's Viceroy -- |
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2. Eufranone vs. Lionato -- |
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3. The women -- |
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4. New characters and the comic element -- |
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Chapter VII. Orbecche: Giraldi's imitation of his own prose narrative -- |
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1. The plot -- |
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2. Orbecche and the question of womanhood -- |
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3. Sulmone vs. Malecche: The debate on kingly prerogatives -- |
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4. Machiavellian princeship anchored to religious morality -- |
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Chapter VIII. Dolce's Marianna: From history to the stage -- |
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1. The historical source -- |
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2. Josephus' Herod vs. Dolce's Erode -- |
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3. Mariamme vs Marianna -- |
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4. Erode and the theater audience. |
| 520 0# - SUMMARY, ETC. |
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| Summary, etc. |
"The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations - incuding Machiavelli's Mandragola and Clizia, Cecchi's Assiuolo, Groto's Emilia, and Dolce's Marianna - and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely. |
| 520 0# - SUMMARY, ETC. |
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| Summary, etc. |
DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period."--pub. desc. |
| 530 ## - COPYRIGHT INFORMATION: |
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| COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
| Uniform Resource Identifier |
<a href="b">b</a> |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Imitation in literature. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Classical drama |
| General subdivision |
Influence. |
| 655 #1 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Electronic Books. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=660253&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=660253&site=eds-live&custid=s3260518</a> |
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Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
| DONATED BY: |
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| VENDOR |
EBSCO |
| Classification part |
PQ |
| PUBLICATION YEAR |
2013 |
| LOCATION |
ONLINE |
| REQUESTED BY: |
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NFIC |
| Source of classification or shelving scheme |
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| 994 ## - |
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02 |
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NT |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
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| a |
1 |
| b |
Cynthia Snell |
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1 |
| d |
Cynthia Snell |