Moving image theory : ecological considerations /
Moving image theory : ecological considerations /
edited by Joseph D. Anderson and Barbara Fisher Anderson ; with a foreword by David Bordwell.
- Carbondale : Southern Illinois University Press, (c)2007.
- 1 online resource (xii, 253 pages) : illustrations.
Includes bibliographies and index.
Part One. Information Available in Moving Images: 1. Perceiving Scenes in Film and in the World / Part Two. Perception of Simulated Human Motion: 3. Creating Realistic Motion / Part Three. Acoustic Events: 5. Background Tracks in Recent Cinema / Part Four. Information in Facial Expression: 7. Three Views of Facial Expression and Its Understanding in the Cinema / Part Five. Coupling of Perception and Emotion: 9. Film Lighting and Mood / Part Six. Appeals of Reality-Based Moving Images: 11. Documentary's Peculiar Appeals / Part Seven. Events, Symbols, and Metaphors: 13. Through Alice's Glass: The Creation and Perception of Other Worlds in Movies, Pictures, and Virtual Reality / James E. Cutting ; 2. The Value of Oriented Geometry for Ecological Psychology and Moving Image Art / Robert E. Shaw and William M. Mace -- Jessica K. Hodgins, James F. O'Brien, Nancy S. Pollard, Robert Sumner, Wayne L. Wooten, Gary Yngve, and Victor Zordan ; 4. Perceiving Human Motion in Synthesized Images / Joseph D. Anderson and Jessica K. Hodgins -- Charles Eidsvik ; 6. Acoustic Specification of Object Properties / Claudia Carello, Jeffrey B. Wagman, and Michael T. Turvey -- Ed S. Tan ; 8. Facial Motion as a Cue to Identity / Karen Lander and Vicki Bruce -- Torben Kragh Grodal ; 10. Cinematic Creation of Emotion / Dolf Zillmann -- Dirk Eitzen ; 12. Reality Programming: Evolutionary Models of Film and Television Viewership / William Evans -- Sheena Rogers ; 14. Metaphors in Movies / John M. Kennedy and Dan Chiappe.
9780809387571
Motion pictures--Psychological aspects.
Motion picture audiences--Psychology.
Electronic Books.
PN1995 / .M685 2007
Includes bibliographies and index.
Part One. Information Available in Moving Images: 1. Perceiving Scenes in Film and in the World / Part Two. Perception of Simulated Human Motion: 3. Creating Realistic Motion / Part Three. Acoustic Events: 5. Background Tracks in Recent Cinema / Part Four. Information in Facial Expression: 7. Three Views of Facial Expression and Its Understanding in the Cinema / Part Five. Coupling of Perception and Emotion: 9. Film Lighting and Mood / Part Six. Appeals of Reality-Based Moving Images: 11. Documentary's Peculiar Appeals / Part Seven. Events, Symbols, and Metaphors: 13. Through Alice's Glass: The Creation and Perception of Other Worlds in Movies, Pictures, and Virtual Reality / James E. Cutting ; 2. The Value of Oriented Geometry for Ecological Psychology and Moving Image Art / Robert E. Shaw and William M. Mace -- Jessica K. Hodgins, James F. O'Brien, Nancy S. Pollard, Robert Sumner, Wayne L. Wooten, Gary Yngve, and Victor Zordan ; 4. Perceiving Human Motion in Synthesized Images / Joseph D. Anderson and Jessica K. Hodgins -- Charles Eidsvik ; 6. Acoustic Specification of Object Properties / Claudia Carello, Jeffrey B. Wagman, and Michael T. Turvey -- Ed S. Tan ; 8. Facial Motion as a Cue to Identity / Karen Lander and Vicki Bruce -- Torben Kragh Grodal ; 10. Cinematic Creation of Emotion / Dolf Zillmann -- Dirk Eitzen ; 12. Reality Programming: Evolutionary Models of Film and Television Viewership / William Evans -- Sheena Rogers ; 14. Metaphors in Movies / John M. Kennedy and Dan Chiappe.
9780809387571
Motion pictures--Psychological aspects.
Motion picture audiences--Psychology.
Electronic Books.
PN1995 / .M685 2007