Film, cinema, genre the Steve Neale reader /
Neale, Stephen, 1950-
Film, cinema, genre the Steve Neale reader / Steve Neale ; edited by Frank Krutnik, Richard Maltby. - 1 online resource - Exeter studies in film history .
Includes bibliographies and index.
FILM, CINEMA, GENRE: The Steve Neale Reader -- Cover Page -- About the Author Page -- Series Page -- Title Page -- Copyright -- Contents -- Illustrations -- Acknowledgements -- Steve Neale and Film Studies: An Introduction Frank Krutnik -- Section A: Beginnings -- 1. The Reappearance of Movie -- Review in Screen, 16.3 (1975), 112-15 -- 2. Personal Views -- Review in Screen, 17.3 (1976), 118-22 -- 3. The Invention of Cinema -- Chapter 3 of Cinema and Technology: Image, Sound, Colour (London: Macmillan, 1985) -- Section B: Genre(s) -- 4. Genre Chapter 3 of Genre (London: British Film Institute, 1980) -- 5. Questions of Genre -- Screen, 31.1 (1990), 45-66 -- 6. Genre and Hollywood -- Chapter 7 of Genre and Hollywood(London: Routledge, 2000) -- 7. Melodrama and Tears -- Screen, 27.6 (1986), 6-23 -- 8. Aspects of Ideology and Narrative Form in the American War Film -- Screen, 32.1 (1991), 33-57 -- Section C: Interventions and Provocations -- 9. Art Cinema as Institution -- Screen, 22.1 (1981), 11-40 -- 10. Masculinity as Spectacle: Reflections on Men and Mainstream Cinema -- Screen, 24.6 (1983), 2-17 11. Melo Talk: On the Meaning and Use of the Term 'Melodrama' in the American Trade Press -- The Velvet Light Trap, 32 (1993), 66-89 -- 12. Hollywood Blockbusters: Historical Dimensions -- Movie Blockbusters, edition by Julian Stringer (London: Routledge, 2003), pp. 47-60 -- Section D: Film Analysis -- 13. Issues of Difference: Alien and Blade Runner -- Fantasy and the Cinema, edition by James Donald (London: British Film Institute, 1989), pp. 213-23 -- 14. Narration, Point of View and Patterns in the Soundtrack of Letter from an Unknown Woman Style and Meaning: Essays in the Detailed Analysis of Film, edition by John Gibbs and Douglas Pye (Manchester: Manchester University Press, 2005), pp. 99-107 -- 15. Gestures, Movements and Actions in Rio Bravo -- Howard Hawks: New Perspectives, edition by Ian Brookes (London: Palgrave/British Film Institute, 2016), pp. 110-21 -- 16. The Art of the Palpable: Composition and Staging in the Widescreen Films of Anthony Mann -- Widescreen Worldwide, edition by John Belton, Sheldon Hall and Stephen Neale (New Barnet: John Libbey, 2010), pp. 91-106 17. 'I Can't Tell Anymore Whether You're Lying': Double Indemnity, Human Desire and the Narratology of Femmes Fatales -- The Femme Fatale: Images, Histories, Contexts, edition by Helen Hanson and Catherine O'Rawe (Basingstoke: Palgrave Macmillan, 2010), pp. 187-98 -- Steve Neale Bibliography -- Index -- By the Same Author -- Back Cover
This Reader brings together for the first time key works by Steve Neale, one of the founding figures of UK film studies. It includes selections of his influential writing on genre, together with other critical work encompassing film analysis, representation, cinema history, technology, and the film industry.
9781905816590
GBC0J9393 bnb GBC2C0580 bnb
020043407 Uk 020656564 Uk
Motion pictures--History.
Motion picture industry--History.
Electronic Books.
PN1995 / .F556 2021
Film, cinema, genre the Steve Neale reader / Steve Neale ; edited by Frank Krutnik, Richard Maltby. - 1 online resource - Exeter studies in film history .
Includes bibliographies and index.
FILM, CINEMA, GENRE: The Steve Neale Reader -- Cover Page -- About the Author Page -- Series Page -- Title Page -- Copyright -- Contents -- Illustrations -- Acknowledgements -- Steve Neale and Film Studies: An Introduction Frank Krutnik -- Section A: Beginnings -- 1. The Reappearance of Movie -- Review in Screen, 16.3 (1975), 112-15 -- 2. Personal Views -- Review in Screen, 17.3 (1976), 118-22 -- 3. The Invention of Cinema -- Chapter 3 of Cinema and Technology: Image, Sound, Colour (London: Macmillan, 1985) -- Section B: Genre(s) -- 4. Genre Chapter 3 of Genre (London: British Film Institute, 1980) -- 5. Questions of Genre -- Screen, 31.1 (1990), 45-66 -- 6. Genre and Hollywood -- Chapter 7 of Genre and Hollywood(London: Routledge, 2000) -- 7. Melodrama and Tears -- Screen, 27.6 (1986), 6-23 -- 8. Aspects of Ideology and Narrative Form in the American War Film -- Screen, 32.1 (1991), 33-57 -- Section C: Interventions and Provocations -- 9. Art Cinema as Institution -- Screen, 22.1 (1981), 11-40 -- 10. Masculinity as Spectacle: Reflections on Men and Mainstream Cinema -- Screen, 24.6 (1983), 2-17 11. Melo Talk: On the Meaning and Use of the Term 'Melodrama' in the American Trade Press -- The Velvet Light Trap, 32 (1993), 66-89 -- 12. Hollywood Blockbusters: Historical Dimensions -- Movie Blockbusters, edition by Julian Stringer (London: Routledge, 2003), pp. 47-60 -- Section D: Film Analysis -- 13. Issues of Difference: Alien and Blade Runner -- Fantasy and the Cinema, edition by James Donald (London: British Film Institute, 1989), pp. 213-23 -- 14. Narration, Point of View and Patterns in the Soundtrack of Letter from an Unknown Woman Style and Meaning: Essays in the Detailed Analysis of Film, edition by John Gibbs and Douglas Pye (Manchester: Manchester University Press, 2005), pp. 99-107 -- 15. Gestures, Movements and Actions in Rio Bravo -- Howard Hawks: New Perspectives, edition by Ian Brookes (London: Palgrave/British Film Institute, 2016), pp. 110-21 -- 16. The Art of the Palpable: Composition and Staging in the Widescreen Films of Anthony Mann -- Widescreen Worldwide, edition by John Belton, Sheldon Hall and Stephen Neale (New Barnet: John Libbey, 2010), pp. 91-106 17. 'I Can't Tell Anymore Whether You're Lying': Double Indemnity, Human Desire and the Narratology of Femmes Fatales -- The Femme Fatale: Images, Histories, Contexts, edition by Helen Hanson and Catherine O'Rawe (Basingstoke: Palgrave Macmillan, 2010), pp. 187-98 -- Steve Neale Bibliography -- Index -- By the Same Author -- Back Cover
This Reader brings together for the first time key works by Steve Neale, one of the founding figures of UK film studies. It includes selections of his influential writing on genre, together with other critical work encompassing film analysis, representation, cinema history, technology, and the film industry.
9781905816590
GBC0J9393 bnb GBC2C0580 bnb
020043407 Uk 020656564 Uk
Motion pictures--History.
Motion picture industry--History.
Electronic Books.
PN1995 / .F556 2021