Variable objects : Shakespeare and speculative appropriation /
Variable objects : Shakespeare and speculative appropriation /
Shakespeare and Speculative Appropriation
edited by Valerie M. Fazel and Louise Geddes.
- 1 online resource (x, 254 pages)
Description based upon print version of record.
Includes bibliographies and index.
Introduction : Bound in a nutshell - Shakespeare's vibrant matter / Part 1. Disciplinary objects -- Beds, handkerchiefs and moving objects in Othello / The collectible Ofelia : object-oriented feminisms and the un-human corpus of Q1's dispensaniac / Bitcoin, blockchains and the bard / Part 2. Media objects -- 'Were I human' : beingness and the postcolonial object in Westworld's appropriation of The Tempest / Finding ludonarrative harmony in the limited agency of Ophelia in Elsinore / Sympathise with the losers : performing intellectual loserdom in Shakespearean biopic / Prosthetic properties : the materiality of race and gender in The Hollow Crown : The Wars of the Roses / Part 3. Human objects -- 'Intermission!' : reading race in the objects of Key and Peele's 'Othello Tis My Shite' / Sight unseen : visualising variability through ontological representations in Macbeth / The thing itself : performance and the celebrity text / 'The promised end' : Shakespeare and extinction / Valerie M. Fazel and Louise Geddes -- Sujata Iyengar -- Molly Seremet -- Robert Sawyer -- L. Monique Pittman, Vanessa I. Corredera, Kristin N. Denslow, and Karl G. Bailey -- Andrew Darr -- Anna Blackwell -- Emily MacLeod -- Shanelle E. Kim -- Valerie Clayman Pye and Cara Gargano -- Louise Geddes -- Michael Lutz.
"Drawing on new materialism and object-oriented ontology, Variable Objects proposes that Shakespeare is a vibrant object replete with a variable energy that accounts for its infinite meaning-making capacity. Using critical race theory, object oriented feminism, performance studies, Global Shakespeares, media studies and game theory, the collection's essays explore the dialogic relationship between the Shakespeare object and its appropriation. Each chapter demonstrates that instead of moving away from the source of appropriation, an object-oriented approach can centralise Shakespeare without the constraints of outdated notions of fidelity. Highlighting the variable materiality inherent in Shakespeare, the collection foregrounds the political ecologies of literary objects as a new methodology for adaptation studies." --
9781474481410
GBC152948 bnb
020148675 Uk
Electronic Books.
PR2976 / .V375 2021
Description based upon print version of record.
Includes bibliographies and index.
Introduction : Bound in a nutshell - Shakespeare's vibrant matter / Part 1. Disciplinary objects -- Beds, handkerchiefs and moving objects in Othello / The collectible Ofelia : object-oriented feminisms and the un-human corpus of Q1's dispensaniac / Bitcoin, blockchains and the bard / Part 2. Media objects -- 'Were I human' : beingness and the postcolonial object in Westworld's appropriation of The Tempest / Finding ludonarrative harmony in the limited agency of Ophelia in Elsinore / Sympathise with the losers : performing intellectual loserdom in Shakespearean biopic / Prosthetic properties : the materiality of race and gender in The Hollow Crown : The Wars of the Roses / Part 3. Human objects -- 'Intermission!' : reading race in the objects of Key and Peele's 'Othello Tis My Shite' / Sight unseen : visualising variability through ontological representations in Macbeth / The thing itself : performance and the celebrity text / 'The promised end' : Shakespeare and extinction / Valerie M. Fazel and Louise Geddes -- Sujata Iyengar -- Molly Seremet -- Robert Sawyer -- L. Monique Pittman, Vanessa I. Corredera, Kristin N. Denslow, and Karl G. Bailey -- Andrew Darr -- Anna Blackwell -- Emily MacLeod -- Shanelle E. Kim -- Valerie Clayman Pye and Cara Gargano -- Louise Geddes -- Michael Lutz.
"Drawing on new materialism and object-oriented ontology, Variable Objects proposes that Shakespeare is a vibrant object replete with a variable energy that accounts for its infinite meaning-making capacity. Using critical race theory, object oriented feminism, performance studies, Global Shakespeares, media studies and game theory, the collection's essays explore the dialogic relationship between the Shakespeare object and its appropriation. Each chapter demonstrates that instead of moving away from the source of appropriation, an object-oriented approach can centralise Shakespeare without the constraints of outdated notions of fidelity. Highlighting the variable materiality inherent in Shakespeare, the collection foregrounds the political ecologies of literary objects as a new methodology for adaptation studies." --
9781474481410
GBC152948 bnb
020148675 Uk
Electronic Books.
PR2976 / .V375 2021