Maoist laughter /edited by Ping Zhu, Zhuoyi Wang, and Jason McGrath.
Maoist laughter /edited by Ping Zhu, Zhuoyi Wang, and Jason McGrath.
- Hong Kong : Hong Kong University Press, (c)2019.
- 1 online resource (vi, 224 pages) : illustrations.
Includes bibliographies and index.
Introduction : the study of laughter in the Mao era / Laughter, ethnicity, and socialist utopia : Five golden flowers / Revolution plus love in village China : land reform as political romance in Sanliwan Village / Joking after rebellion : performing Tibetan-Han relations in the Chinese military dance "Laundry song" (1964) / Intermedial laughter : Hou Baolin and Xiangsheng Dianying in mid-1950s China / Fantastic laughter in a socialist-realist tradition? : the nuances of "satire" and "extolment" in The secret of the magic gourd and its 1963 film adaptation / Humor, vernacularization, and intermedial laughter in Maoist Pingtan / Propaganda, play, and the pictorial turn : Cartoon (Manhua Yuekan), 1950-1952 / The revolutionary metapragmatics of laughter in Zhao Shuli's fiction / Huajixi, heteroglossia, and Maoist language / Ma Ji's "Ode to friendship" and the failures of revolutionary language / Ping Zhu -- Ban Wang -- Charles A. Laughlin -- Emily Wilcox -- Xiaoning Lu -- Yun Zhu -- Li Guo -- John A. Crespi -- Roy Chan -- Ping Zhu -- Laurence Coderre.
"During the Mao years, laughter in China was serious business. Simultaneously an outlet for frustrations and grievances, a vehicle for socialist education, and an object of official study, laughter brought together the political, the personal, the aesthetic, the ethical, the affective, the physical, the aural, and the visual. The ten essays in Maoist Laughter convincingly demonstrate that the connection between laughter and political culture was far more complex than conventional conceptions of communist indoctrination can explain. Their sophisticated readings of a variety of genres--including dance, cartoon, children's literature, comedy, regional oral performance, film, and fiction--uncover many nuanced innovations and experiments with laughter during what has been too often misinterpreted as an unrelentingly bleak period. In Mao's China, laughter helped to regulate both political and popular culture and often served as an indicator of shifting values, alliances, and political campaigns. In exploring this phenomenon, Maoist Laughter is a significant correction to conventional depictions of socialist China"--Back cover.
9888528017 9789888528011 9789882204508 9882204503
Laughter--Political aspects--China.
Popular culture--Political aspects--China.
Political culture--History--China--20th century.
Political satire, Chinese--History--20th century.
Arts, Chinese--Political aspects--History--20th century.
Chinese wit and humor--History--20th century.
Electronic Books.
DS727 / .M365 2019
Includes bibliographies and index.
Introduction : the study of laughter in the Mao era / Laughter, ethnicity, and socialist utopia : Five golden flowers / Revolution plus love in village China : land reform as political romance in Sanliwan Village / Joking after rebellion : performing Tibetan-Han relations in the Chinese military dance "Laundry song" (1964) / Intermedial laughter : Hou Baolin and Xiangsheng Dianying in mid-1950s China / Fantastic laughter in a socialist-realist tradition? : the nuances of "satire" and "extolment" in The secret of the magic gourd and its 1963 film adaptation / Humor, vernacularization, and intermedial laughter in Maoist Pingtan / Propaganda, play, and the pictorial turn : Cartoon (Manhua Yuekan), 1950-1952 / The revolutionary metapragmatics of laughter in Zhao Shuli's fiction / Huajixi, heteroglossia, and Maoist language / Ma Ji's "Ode to friendship" and the failures of revolutionary language / Ping Zhu -- Ban Wang -- Charles A. Laughlin -- Emily Wilcox -- Xiaoning Lu -- Yun Zhu -- Li Guo -- John A. Crespi -- Roy Chan -- Ping Zhu -- Laurence Coderre.
"During the Mao years, laughter in China was serious business. Simultaneously an outlet for frustrations and grievances, a vehicle for socialist education, and an object of official study, laughter brought together the political, the personal, the aesthetic, the ethical, the affective, the physical, the aural, and the visual. The ten essays in Maoist Laughter convincingly demonstrate that the connection between laughter and political culture was far more complex than conventional conceptions of communist indoctrination can explain. Their sophisticated readings of a variety of genres--including dance, cartoon, children's literature, comedy, regional oral performance, film, and fiction--uncover many nuanced innovations and experiments with laughter during what has been too often misinterpreted as an unrelentingly bleak period. In Mao's China, laughter helped to regulate both political and popular culture and often served as an indicator of shifting values, alliances, and political campaigns. In exploring this phenomenon, Maoist Laughter is a significant correction to conventional depictions of socialist China"--Back cover.
9888528017 9789888528011 9789882204508 9882204503
Laughter--Political aspects--China.
Popular culture--Political aspects--China.
Political culture--History--China--20th century.
Political satire, Chinese--History--20th century.
Arts, Chinese--Political aspects--History--20th century.
Chinese wit and humor--History--20th century.
Electronic Books.
DS727 / .M365 2019