Jean-Luc Godard, Cinema Historian /Michael Witt.

By:

Witt, Michael [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780253007308

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PN1998 .J436 2013

Online resources:

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Available additional physical forms:

Contents:

Histoire(s) du cinéma : A History -- The Prior and Parallel Work -- Models and Guides -- The Rise and Fall of the Cinematograph -- Cinema, Nationhood, and the New Wave -- Making Images in the Age of Spectacle -- The Metamorphoses -- Envoi -- Works by Godard.

Subject: Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinéma has been widely hailed as a landmark in how we think about and narrate cinema history, and in how history is taught through cinema. This book explores Godard's landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. The author contextualizes Godard's theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PN1998.3.63 W58 2013 (Browse shelf(Opens below))	Link to resource	Available		ocn856870632

Introduction : Godard's Theorem -- Histoire(s) du cinéma : A History -- The Prior and Parallel Work -- Models and Guides -- The Rise and Fall of the Cinematograph -- Cinema, Nationhood, and the New Wave -- Making Images in the Age of Spectacle -- The Metamorphoses -- Envoi -- Works by Godard.

Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinéma has been widely hailed as a landmark in how we think about and narrate cinema history, and in how history is taught through cinema. This book explores Godard's landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. The author contextualizes Godard's theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard.

Includes bibliographies and index.

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