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Dialectical Passions : Negation in Postwar Art Theory.

By: Material type: TextTextSeries: Publication details: New York : Columbia University Press, (c)2010.Description: 1 online resource (321 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780231520621
Subject(s): Genre/Form: LOC classification:
  • N6490 .D535 2010
Online resources: Available additional physical forms:
Contents:
Subject: Representing a new generation of theorists who reaffirm the radical dimensions of art, Gail Day launches a bold critique of late-twentieth-century art theory and its often reductive analysis of cultural objects. Exploring core debates in discourses on art, from the New Left to theories of ""critical postmodernism"" and beyond, Day counters the belief that recent tendencies in art fail to be adequately critical and challenges the political inertia that results from these conclusions. Day organizes her defense around critics who have engaged substantively with emancipatory thought.
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Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction N6490 .34 2010 (Browse shelf(Opens below)) Link to resource Available ocn826476335

Illustrations; Acknowledgments; Introduction; Chapter 1. T.J. Clark and the Pain of the Unattainable Beyond; Chapter 2. Looking the Negative in the Face: Manfredo Tafuri and the Venice School of Architecture; Chapter 3. Absolute Dialectical Unrest: Or, the Dizziness of a Perpetually Self-Engendered Disorder; Chapter 4. The Immobilizations of Social Abstraction; Afterword: Abstract and Transitive Possibilities; Notes; Index.

Representing a new generation of theorists who reaffirm the radical dimensions of art, Gail Day launches a bold critique of late-twentieth-century art theory and its often reductive analysis of cultural objects. Exploring core debates in discourses on art, from the New Left to theories of ""critical postmodernism"" and beyond, Day counters the belief that recent tendencies in art fail to be adequately critical and challenges the political inertia that results from these conclusions. Day organizes her defense around critics who have engaged substantively with emancipatory thought.

Includes bibliographies and index.

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