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Mike Leigh /Sean O'Sullivan.

By: Material type: TextTextSeries: Publication details: Urbana : University of Illinois Press, (c)2011.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780252093401
  • 9781283244374
  • 9786613244376
  • 6613244376
Subject(s): Genre/Form: LOC classification:
  • PN1998 .M554 2011
Online resources: Available additional physical forms:
Contents:
Biography and career outline -- Character and plot: Meantime and Four days in July -- Art and narrative: Naked and Secrets and Lies -- Topsy-turvy girls, career boys: Career girls and Topsy-turvy -- Vera's fingers: All or Nothing and Vera Drake -- Five lessons, Four seasons: Happy-go-lucky and Another year -- Interview with Mike Leigh.
Summary: An examination of the work of Mike Leigh, Sean O'Sullivan illuminates the visual tropes and storytelling investigations that position Leigh as an experimental filmmaker who uses the art and artifice of cinema to frame tales of the everyday and the extraordinary alike.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PN1998.3.445 (Browse shelf(Opens below)) Link to resource Available on1162409550

Includes bibliographies and index.

The nature of contrivance. How to watch a Mike Leigh movie: The short and Curlies -- Biography and career outline -- Character and plot: Meantime and Four days in July -- Art and narrative: Naked and Secrets and Lies -- Topsy-turvy girls, career boys: Career girls and Topsy-turvy -- Vera's fingers: All or Nothing and Vera Drake -- Five lessons, Four seasons: Happy-go-lucky and Another year -- Interview with Mike Leigh.

An examination of the work of Mike Leigh, Sean O'Sullivan illuminates the visual tropes and storytelling investigations that position Leigh as an experimental filmmaker who uses the art and artifice of cinema to frame tales of the everyday and the extraordinary alike.

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