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The arc and the machine Narrative and new media.

By: Material type: TextTextPublication details: Manchester : Manchester University Press, (c)2007.Description: 1 online resource (225 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781847791610
Subject(s): Genre/Form: LOC classification:
  • P96 .A733 2007
Online resources: Available additional physical forms:
Contents:
Subject: The Arc and the machine is a timely and original defence of narrative in an age of information. Stressing interpretation and experience alongside affect and sensation it convincingly argues that narrative is key to contemporary forms of cultural production and to the practice of contemporary life. Re-appraising the prospects for narrative in the digital age, it insists on the centrality of narrative to informational culture and provokes a critical re-appraisal of how innovations in information technology as a material cultural form can be understood and assessed. The book offers a careful explo.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction P96.35 (Browse shelf(Opens below)) Link to resource Available ocn818847264

Includes bibliographies and index.

9780719073427; 9780719073427; Copyright; Contents; Acknowledgements; Introduction; 1 Narrative machines; 2 'Beautiful patterns of bits': cybernetics, interfaces, new media; 3 Those with whom the archive dwells; 4 Annihilating all that's made?Legends of virtual community; 5 'Just because' stories:on Elephant; Bibliography; Index.

The Arc and the machine is a timely and original defence of narrative in an age of information. Stressing interpretation and experience alongside affect and sensation it convincingly argues that narrative is key to contemporary forms of cultural production and to the practice of contemporary life. Re-appraising the prospects for narrative in the digital age, it insists on the centrality of narrative to informational culture and provokes a critical re-appraisal of how innovations in information technology as a material cultural form can be understood and assessed. The book offers a careful explo.

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