Forgeries of Memory and Meaning Blacks and the Regimes of Race in American Theater and Film before World War II.

Description based upon print version of record.

Includes bibliographies and index.

Preface; Acknowledgments; 1 The Inventions of the Negro; 2 In the Year 1915: D.W. Griffith and the Rewhitening of America; 3 Blackface Minstrelsy and Black Resistance; 4 Resistance and Imitation in Early Black Cinema; 5 The Racial Regimes of the "Golden Age"; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z;

Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans.Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive r.

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