Mina Loy's critical modernism /Laura Scuriatti.

By:

Scuriatti, Laura, 1970- [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780813057088

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PS3523 .M563 2019

Online resources:

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Available additional physical forms:

Contents:

Loy's dialogue with Lacerba and Italian feminism -- The objects of poetry and the economics of art -- Mina Loy's dialogic and "narratable" selves: art as collaboration -- Eccentricity, affiliation, and distance in Loy's corpus -- Conclusion.

Subject: This volume argues that Loy's corpus of works produces a kind of "critical" modernism: the author makes the case that Loy's corpus exhibits a skeptical, detached attitude towards its own simultaneous celebration and criticism of modernist aesthetic paradigms. The author provides a new, in-depth investigation of specific aspects of the Florentine and Italian context in particular, which have so far been neglected by scholarship. The volume presents new insights into Loy's feminism and argues that her texts respond to the rewriting of Otto Weininger's then widely influential theories in the magazine Lacerba. It shows that Loy's texts present dialogic, "narratable", "eccentric" selves and subjectivities, which create uncomfortable critical spaces within modernism as a broad movement.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PS3523.975 (Browse shelf(Opens below))	Link to resource	Available		on1098213400

Includes bibliographies and index.

Introduction -- Loy's dialogue with Lacerba and Italian feminism -- The objects of poetry and the economics of art -- Mina Loy's dialogic and "narratable" selves: art as collaboration -- Eccentricity, affiliation, and distance in Loy's corpus -- Conclusion.

This volume argues that Loy's corpus of works produces a kind of "critical" modernism: the author makes the case that Loy's corpus exhibits a skeptical, detached attitude towards its own simultaneous celebration and criticism of modernist aesthetic paradigms. The author provides a new, in-depth investigation of specific aspects of the Florentine and Italian context in particular, which have so far been neglected by scholarship. The volume presents new insights into Loy's feminism and argues that her texts respond to the rewriting of Otto Weininger's then widely influential theories in the magazine Lacerba. It shows that Loy's texts present dialogic, "narratable", "eccentric" selves and subjectivities, which create uncomfortable critical spaces within modernism as a broad movement.

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