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The Hollywood Jim Crow : the racial politics of the movie industry / Maryann Erigha.

By: Material type: TextTextPublication details: New York : New York University Press, (c)2019.Description: 1 online resource (vii, 225 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781479816644
Subject(s): Genre/Form: LOC classification:
  • PN1995 .H655 2019
Online resources: Available additional physical forms:
Contents:
Introduction -- Hollywood's racial logic -- Labeling black unbankable -- Directing on the margins -- Making genre ghettos -- Manufacturing racial stigma -- Remaking cinema -- Conclusion.
Summary: The #OscarsSoWhite campaign, and the content of the leaked Sony emails which revealed, among many other things, that a powerful Hollywood insider didn't believe that Denzel Washington could 'open' a western genre film, provide glaring evidence that the opportunities for people of color in Hollywood are limited. In this work, the author tells the story of inequality, looking at the practices and biases that limit the production and circulation of movies directed by racial minorities. This book examines over 1,300 contemporary films, specifically focusing on directors, to show the key elements at work in maintaining 'the Hollywood Jim Crow'.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PN1995.9.585 (Browse shelf(Opens below)) Link to resource Available on1080201453

Includes bibliographies and index.

Introduction -- Hollywood's racial logic -- Labeling black unbankable -- Directing on the margins -- Making genre ghettos -- Manufacturing racial stigma -- Remaking cinema -- Conclusion.

The #OscarsSoWhite campaign, and the content of the leaked Sony emails which revealed, among many other things, that a powerful Hollywood insider didn't believe that Denzel Washington could 'open' a western genre film, provide glaring evidence that the opportunities for people of color in Hollywood are limited. In this work, the author tells the story of inequality, looking at the practices and biases that limit the production and circulation of movies directed by racial minorities. This book examines over 1,300 contemporary films, specifically focusing on directors, to show the key elements at work in maintaining 'the Hollywood Jim Crow'.

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