Pop-feminist narratives : the female subject under neoliberalism in North America, Britain, and Germany / Emily Spiers.
Material type:
TextSeries: Publication details: Oxford, United Kingdom : Oxford University Press, (c)2018.Description: 1 online resourceContent type: - text
- computer
- online resource
- 9780192552846
- 9780191860461
- HQ1155 .P674 2018
- HQ1221
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
| Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|---|
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)
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G. Allen Fleece Library ONLINE | Non-fiction | HQ1155 (Browse shelf(Opens below)) | Link to resource | Available | on1030941280 |
Includes bibliographies and index.
This volume explores the recent phenomenon of 'pop-feminism' and pop-feminist writing across North America, Britain, and Germany and examines what feminist politics look like in the twenty-first century.
Cover; Pop-Feminist Narratives: The Female Subject under Neoliberalism in North America, Britain, and Germany; Copyright; Acknowledgements; Contents; List of Illustrations; List of Abbreviations; Note about Translations; Introduction: Assembling the Narrative Threads; THIRD-WAVE AND POSTFEMINIST LEGACIES; POP-FEMINISM AND NEOLIBERALISM; SEXUALITY, TRANSGRESSION, AND AGENCY; 1: The Pop-Feminist Subject; KNOWING WHAT I (DO NOT) KNOW; THERE IS NO 'I' IN 'WE'; NARRATIVE SELVES AND COHERENCE; GENDER MELANCHOLIA AND RAGE; GENRE AND WRITING THE SELF
2: Postmodern Literature in North America: Tracing Pop-Feminism's Narrative ArcMAKING FICTION WITH KATHY ACKER; SHAPING ETHICAL NARRATIVES WITH MARY GAITSKILL; MAINSTREAMING THE TRANSGRESSIVE; RIOT GRRRL AND THE COMMODIFICATION OF FEMALE TRANSGRESSION; 3: North American Pop-Feminism in the Post-Digital Era; AUTOFICTION AND SELFHOOD: MAGGIE NELSON AND SHEILA HETI; 'EXCELLENT DANGER' AND QUEER NORMALIZATION: MICHELLE TEA; 4: British Pop-Feminism on the Literary Marketplace; UNPICKING THE LITERARY THREADS; MARKET-PLACE NARRATIVES; LITERARY 'BAD GIRLS' IN BRITAIN; HELEN WALSH'S BRASS
GWENDOLINE RILEY'S COLD WATERSCARLETT THOMAS'S THE END OF Mr. Y; POP-FEMINIST GUIDES IN BRITAIN; 5: German Pop-Feminism and Generational Narratives; LITERARY GENERATIONS AND GERMAN POP-LITERATURE; CHARLOTTE ROCHE'S FEUCHTGEBIETE; KERSTIN GRETHER'S ZUCKERBABYS; STRATEGIES OF RESISTANCE IN ALINA BRONSKY'S SCHERBENPARK [BROKEN GLASS PARK]; HELENE HEGEMANN'S AXOLOTL ROADKILL [AXOLOTL ROADKILL] AND ANTONIA BAUM'S VOLLKOMMEN LEBLOS BESTENFALLS TOT [PERFECTLY LIFELESS PREFERABLY DEAD]; Conclusion: Pop-Feminism and the Future; Bibliography; MANUSCRIPTS; PRINTED SOURCES; Primary Sources
Secondary SourcesFilms; Lectures, Audio, and Interviews; Index
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