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The art of dying /Sarah Tolmie.

By: Material type: TextTextSeries: Publication details: Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, (c)2018.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780773552722
Subject(s): Genre/Form: LOC classification:
  • PR9199 .A786 2018
Online resources: Available additional physical forms:Subject: "Sarah Tolmie describes this book as "a contemporary Ars moriendi." It belongs to a rich tradition, going back to the Middle Ages and beyond, of 'Arts of ... ' books (loving, writing, painting, etc.) Compared to Trio, her previous book in MQUP's poetry series, this one is shorter - not just in its page count, but also because some of the poems are quite short, almost aphorisms. Unlike Trio, which was a collection of 120 sonnets, The Art of Dying is not married to a single form; it is basically satirical; and to an unusual extent for a poetry collection, it's more or less thesis-driven (arguing that our euphemisms and denials of death are nauseating and that the idea of a digital afterlife is folly). She adds: "A world of cheer, as you can intuit.""--
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PR9199.4.64 (Browse shelf(Opens below)) Link to resource Available ocn991531304

Poems.

Includes bibliographies and index.

"Sarah Tolmie describes this book as "a contemporary Ars moriendi." It belongs to a rich tradition, going back to the Middle Ages and beyond, of 'Arts of ... ' books (loving, writing, painting, etc.) Compared to Trio, her previous book in MQUP's poetry series, this one is shorter - not just in its page count, but also because some of the poems are quite short, almost aphorisms. Unlike Trio, which was a collection of 120 sonnets, The Art of Dying is not married to a single form; it is basically satirical; and to an unusual extent for a poetry collection, it's more or less thesis-driven (arguing that our euphemisms and denials of death are nauseating and that the idea of a digital afterlife is folly). She adds: "A world of cheer, as you can intuit.""--

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