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Artisanal enlightenment : science and the mechanical arts in Old Regime France / Paola Bertucci.

By: Material type: TextTextPublication details: New Haven : Yale University Press, (c)2017.Description: 1 online resource (x, 300 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780300231625
Other title:
  • Science and the mechanical arts in Old Regime France
Subject(s): Genre/Form: LOC classification:
  • Q127 .A785 2017
Online resources: Available additional physical forms:
Contents:
1. Lost knowledge and the history of the arts -- 2. Réaumur and the science of the arts -- 3. Theory, practice, improvement -- 4. Society of Arts -- 5. The politics of writing about making -- 6. L'Esprit in the machine -- Epilogue.
Subject: What would the Enlightenment look like from the perspective of artistes, the learned artisans with esprit, who presented themselves in contrast to philosophers, savants, and routine-bound craftsmen? Making a radical change of historical protagonists, the author places the mechanical arts and the world of making at the heart of the Enlightenment. At a time of great colonial, commercial, and imperial concerns, artistes planned encyclopedic projects and sought an official role in the administration of the French state. The Société des Arts, which they envisioned as a state institution that would foster France's colonial and economic expansion, was the msot ambitious expression of their collective aspirations. This work provides the first in-depth study of the Société, and demonstrates its legacy in scientific programs, academies, and the making of Diderot and D'Alembert's Encyclopédie. Through insightful analysis of textual, visual, and material sources, the author provides a ground-breaking perspective on the politics of writing on the mechanical arts and the development of key Enlightenment concepts such as improvement, utility, and progress.
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Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction Q127.8 (Browse shelf(Opens below)) Link to resource Available on1007823333

Includes bibliographies and index.

Introduction : savants, artisans, artistes -- 1. Lost knowledge and the history of the arts -- 2. Réaumur and the science of the arts -- 3. Theory, practice, improvement -- 4. Society of Arts -- 5. The politics of writing about making -- 6. L'Esprit in the machine -- Epilogue.

What would the Enlightenment look like from the perspective of artistes, the learned artisans with esprit, who presented themselves in contrast to philosophers, savants, and routine-bound craftsmen? Making a radical change of historical protagonists, the author places the mechanical arts and the world of making at the heart of the Enlightenment. At a time of great colonial, commercial, and imperial concerns, artistes planned encyclopedic projects and sought an official role in the administration of the French state. The Société des Arts, which they envisioned as a state institution that would foster France's colonial and economic expansion, was the msot ambitious expression of their collective aspirations. This work provides the first in-depth study of the Société, and demonstrates its legacy in scientific programs, academies, and the making of Diderot and D'Alembert's Encyclopédie. Through insightful analysis of textual, visual, and material sources, the author provides a ground-breaking perspective on the politics of writing on the mechanical arts and the development of key Enlightenment concepts such as improvement, utility, and progress.

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