Spirituals and the birth of a black entertainment industry /Sandra Jean Graham.
Material type: TextSeries: Publication details: Urbana : University of Illinois Press, (c)2018.Description: 1 online resourceContent type:- text
- computer
- online resource
- ML3556 .S657 2018
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | ML3556 (Browse shelf(Opens below)) | Link to resource | Available | on1030040840 |
Includes bibliographies and index.
In the first book-length treatment of postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons. In so doing they laid the foundation for a black entertainment industry whose artistic, financial, and cultural practices extended into the twentieth century.
Intro; Title Page; Copyright Page; Contents; Acknowledgments; Introduction; 1. The Folk Spiritual; Part One: The Rise of a Jubilee Industry; 2. The Jubilee Singers of Fisk University; 3. The Fisk Concert Spiritual; 4. Innovators, Imitators, and a Jubilee Industry; Part Two: Spirituals for the Masses; 5. The Minstrel Show Gets Religion; 6. Commercial Spirituals; 7. Spirituals in Uncle Tom Shows, Melodramas, and Spectacles; 8. Blurring Boundaries between Traditional and Commercial; Conclusion: Lessons and Legacies; Notes; Bibliography; Index; About the Author.
COPYRIGHT NOT covered - Click this link to request copyright permission:
There are no comments on this title.