Making Gullah : a history of Sapelo Islanders, race, and the American imagination / Melissa L. Cooper.

By:

Cooper, Melissa L [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781469632704

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

F292 .M355 2017

Online resources:

Click to access digital title | log in using your CIU ID number and my.ciu.edu password

Available additional physical forms:

Contents:

From wild savages to beloved primitives: Gullah folk take center stage -- The 1920s and 1930s voodoo craze: African survivals in American popular culture and the ivory tower -- Hunting survivals: W. Robert Moore, Lydia Parrish, and Lorenzo D. Turner discover Gullah folk on Sapelo Island -- Drums and shadows: the Federal Writers' Project, Sapelo Islanders, and the specter of African superstitions on Georgia's coast -- Reworking roots: Black women writers, Sapelo interviews in Drums and shadows, and the making of a new Gullah folk -- Gone but not forgotten: Sapelo's vanishing folk and the Gullah Geechee Cultural Heritage Corridor -- From African survivals to the fight for survival.

Subject: "During the 1920s and 1930s, anthropologists and folklorists became obsessed with uncovering connections between African Americans and their African roots. At the same time, popular print media and artistic productions tapped the new appeal of black folk life, highlighting African-styled voodoo as an essential element of black folk culture. A number of researchers converged on one site in particular, Sapelo Island, Georgia, to seek support for their theories about "African survivals," bringing with them a curious mix of both influences. The legacy of that body of research is the area's contemporary identification as a Gullah community. This wide-ranging history upends a long tradition of scrutinizing the Low Country blacks of Sapelo Island by refocusing the observational lens on those who studied them. Cooper uses a wide variety of sources to unmask the connections between the rise of the social sciences, the voodoo craze during the interwar years, the black studies movement, and black land loss and land struggles in coastal black communities in the Low Country. What emerges is a fascinating examination of Gullah people's heritage, and how it was reimagined and transformed to serve vastly divergent ends over the decades." --

Tags from this library: No tags from this library for this title. Log in to add tags.

Average rating: 0.0 (0 votes)

Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	F292.15 (Browse shelf(Opens below))	Link to resource	Available		ocn978907489

Includes bibliographies and index.

The misremembered past -- From wild savages to beloved primitives: Gullah folk take center stage -- The 1920s and 1930s voodoo craze: African survivals in American popular culture and the ivory tower -- Hunting survivals: W. Robert Moore, Lydia Parrish, and Lorenzo D. Turner discover Gullah folk on Sapelo Island -- Drums and shadows: the Federal Writers' Project, Sapelo Islanders, and the specter of African superstitions on Georgia's coast -- Reworking roots: Black women writers, Sapelo interviews in Drums and shadows, and the making of a new Gullah folk -- Gone but not forgotten: Sapelo's vanishing folk and the Gullah Geechee Cultural Heritage Corridor -- From African survivals to the fight for survival.

"During the 1920s and 1930s, anthropologists and folklorists became obsessed with uncovering connections between African Americans and their African roots. At the same time, popular print media and artistic productions tapped the new appeal of black folk life, highlighting African-styled voodoo as an essential element of black folk culture. A number of researchers converged on one site in particular, Sapelo Island, Georgia, to seek support for their theories about "African survivals," bringing with them a curious mix of both influences. The legacy of that body of research is the area's contemporary identification as a Gullah community. This wide-ranging history upends a long tradition of scrutinizing the Low Country blacks of Sapelo Island by refocusing the observational lens on those who studied them. Cooper uses a wide variety of sources to unmask the connections between the rise of the social sciences, the voodoo craze during the interwar years, the black studies movement, and black land loss and land struggles in coastal black communities in the Low Country. What emerges is a fascinating examination of Gullah people's heritage, and how it was reimagined and transformed to serve vastly divergent ends over the decades." --

https://lib.ciu.edu/copyright-request-form

There are no comments on this title.

to post a comment.