Race and photography : racial photography as scientific evidence, 1876-1980 / Amos Morris-Reich.
Material type: TextPublication details: Chicago : The University of Chicago Press, (c)2016.Description: 1 online resource : illustrationsContent type:- text
- computer
- online resource
- 9780226320915
- Günther, Hans F. K., 1891-1968
- Clauss, Ludwig Ferdinand, 1892-1974
- Günther, Hans F. K., 1891-1968
- Clauss, Ludwig Ferdinand, 1892-1974
- Photography in ethnology -- History
- Photography -- Scientific applications -- History
- Photography in ethnology -- Europe -- History
- Photography -- Scientific applications -- Europe -- History
- Photography in ethnology -- Palestine -- History
- Jews -- Europe, Eastern -- Identity
- Jews -- Europe, Central -- Identity
- Germans -- Race identity
- Photography -- history
- Ethnology -- history
- Jews -- classification
- Racism -- history
- History, 19th Century
- History, 20th Century
- GN347 .R334 2016
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | GN347 (Browse shelf(Opens below)) | Link to resource | Available | ocn930602627 |
Includes bibliographies and index.
The type and the gaze: racial photography as scientific evidence, 1876 -- 1918 -- Racial photographs from icons to schemes: the "case" of Central and Eastern European Jews, 1880 -- 1927 -- Serialization as construction of meaning: the photographic practice of Hans F.K. Günther in context -- Racial photographs as "thought experiments": the photographic method of Ludwig Ferdinand Clauss -- Racial photography in Palestine.
'Race and Photography' studies the changing function of photography from the 1870s to the 1940s within the field of the 'science of race', what many today consider the paradigm of pseudo-science. Amos Morris-Reich looks at the ways photography enabled not just new forms of documentation but new forms of perception.
COPYRIGHT NOT covered - Click this link to request copyright permission:
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