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The narrative imagination comic tales by Philippe de Vigneulles / Armine Avakian Kotin.

By: Material type: TextTextSeries: Publication details: Lexington : The University Press of Kentucky, (c)1977.Description: 1 online resource (153 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813163710
Subject(s): Genre/Form: LOC classification:
  • PQ1653 .N377 2015
  • PQ4034
Online resources: Available additional physical forms:
Contents:
Subject: Philippe de Vigneulles (1471--1528), cloth merchant and hosier from the city of Metz, wrote a collection of comic short stories which he called Cent Nouvelles ou contes joyeux. The work constitutes an important step in the development of the nouvelle form in France. In an extended explication, Ms. Kotin analyzes the tales for the modern reader, historically, generically, structurally, and in terms of their human significance. Inscribed in a tradition of short narrative forms in late medieval and early Renaissance France, these tales remake or recast traditional narrative patterns into new forms.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PQ1653.455 (Browse shelf(Opens below)) Link to resource Available ocn900345057

Includes bibliographies and index.

Cover; Title; Copyright; Contents; Preface; Introduction; 1. The Tradition of the Cent Nouvelles; 2. Sequential Models; 3. Comedy or Morality; 4. A New Realism; Conclusion; Appendix A: List of Short Titles; Appendix B: Classification of Adultery Tales; Notes; Selected Bibliography; Index of Tales; General Index; A; B; C; D; E; F; G; H; J; K; L; M; N; O; P; R; S; T; U; V.

Philippe de Vigneulles (1471--1528), cloth merchant and hosier from the city of Metz, wrote a collection of comic short stories which he called Cent Nouvelles ou contes joyeux. The work constitutes an important step in the development of the nouvelle form in France. In an extended explication, Ms. Kotin analyzes the tales for the modern reader, historically, generically, structurally, and in terms of their human significance. Inscribed in a tradition of short narrative forms in late medieval and early Renaissance France, these tales remake or recast traditional narrative patterns into new forms.

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