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Legitimizing the artist : manifesto writing and European modernism, 1885-1915 / Luca Somigli.

By: Material type: TextTextSeries: Publication details: Toronto, Ontario : University of Toronto Press, (c)2003.; Ottawa, Ontario : Canadian Electronic Library, (c)2015.Description: 1 online resource (viii, 296 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781442621060
Subject(s): Genre/Form: LOC classification:
  • N6758 .L445 2015
Online resources: Available additional physical forms:
Contents:
1. Strategies of Legitimation: The Manifesto from Politics to Aesthetics -- A History of the Manifesto (1550-1850) -- How to be a Decadent: Art, Politics, and Society in the -- Manifestoes of Anatole Baju -- 2. A Poetics of Modernity: Futurism as the Overturning of Aestheticism -- From Decadentism to Futurism -- Advertising Futurism -- 3. Anarchists and Scientists: Futurism in England and the Formation of Imagism -- 'Crazy Exploding Pictures': The Reception of Futurism in England, 1910-1914 -- The Invention of Imagism: Ezra Pound and the Rhetoric of the Avant-Garde.
Subject: In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imagism - and argues for the centrality of the works of F.T. Marinetti in the transition from a fin de siecle decadent poetics, exemplified by the manifestoes of Anatole Baju, to a properly avant-garde project.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction N6758.5.63 (Browse shelf(Opens below)) Link to resource Available ocn903968282

Includes bibliographies and index.

Introduction: The Artist in Modernity -- 1. Strategies of Legitimation: The Manifesto from Politics to Aesthetics -- A History of the Manifesto (1550-1850) -- How to be a Decadent: Art, Politics, and Society in the -- Manifestoes of Anatole Baju -- 2. A Poetics of Modernity: Futurism as the Overturning of Aestheticism -- From Decadentism to Futurism -- Advertising Futurism -- 3. Anarchists and Scientists: Futurism in England and the Formation of Imagism -- 'Crazy Exploding Pictures': The Reception of Futurism in England, 1910-1914 -- The Invention of Imagism: Ezra Pound and the Rhetoric of the Avant-Garde.

In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imagism - and argues for the centrality of the works of F.T. Marinetti in the transition from a fin de siecle decadent poetics, exemplified by the manifestoes of Anatole Baju, to a properly avant-garde project.

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