Legitimizing the artist : manifesto writing and European modernism, 1885-1915 / Luca Somigli.
Material type: TextSeries: Publication details: Toronto, Ontario : University of Toronto Press, (c)2003.; Ottawa, Ontario : Canadian Electronic Library, (c)2015.Description: 1 online resource (viii, 296 pages)Content type:- text
- computer
- online resource
- 9781442621060
- Modernism (Art) -- Europe
- Modernism (Literature) -- Europe
- Futurism (Art) -- Europe
- Futurism (Literary movement) -- Europe
- Avant-garde (Aesthetics) -- Europe -- History -- 19th century
- Avant-garde (Aesthetics) -- Europe -- History -- 20th century
- Revolutionary literature -- History and criticism
- Kunst
- Kunstenaars
- Künstler
- Legitimiteit
- Manifesten
- Ästhetik
- N6758 .L445 2015
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | N6758.5.63 (Browse shelf(Opens below)) | Link to resource | Available | ocn903968282 |
Includes bibliographies and index.
Introduction: The Artist in Modernity -- 1. Strategies of Legitimation: The Manifesto from Politics to Aesthetics -- A History of the Manifesto (1550-1850) -- How to be a Decadent: Art, Politics, and Society in the -- Manifestoes of Anatole Baju -- 2. A Poetics of Modernity: Futurism as the Overturning of Aestheticism -- From Decadentism to Futurism -- Advertising Futurism -- 3. Anarchists and Scientists: Futurism in England and the Formation of Imagism -- 'Crazy Exploding Pictures': The Reception of Futurism in England, 1910-1914 -- The Invention of Imagism: Ezra Pound and the Rhetoric of the Avant-Garde.
In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imagism - and argues for the centrality of the works of F.T. Marinetti in the transition from a fin de siecle decadent poetics, exemplified by the manifestoes of Anatole Baju, to a properly avant-garde project.
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