Memory, forgetting and the moving image /Caterina Albano.

By:

Albano, Caterina [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781137365880

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

BF378 .M466 2016

Online resources:

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Available additional physical forms:

Contents:

Subject: Throughout this book we discover what our idea of memory would be without the moving image. This thought provoking analysis examines how the medium has informed modern and contemporary models of memory. The book examines the ways in which cinematic optic procedures inform an understanding of memory processes. Critical to the reciprocity of mind and screen is forgetting and the problematic that it inscribes into memory and its relation to contested histories. Through a consideration of artworks (film/video and sound installation) by artists whose practice has consistently engaged with issues surrounding memory, amnesia and trauma, the book brings to bear neuro-psychological insight and its implication with the moving image (as both image and sound) to a consideration of the global landscape of memory and the politics of memory that inform them. The artists featured include Kerry Tribe, Shona Illingworth, Bill Fontana, Lutz Becker, Yervant Gianikian and Angela Ricci Lucchi, Harun Faorcki, and Eyal Sivan. Caterina Albano is Reader in Visual Culture and Science at Central Saint Martins, University of the Arts London, UK. Albano publishes, lectures and curates in the fields of art, cultural history and cultural theory, emotion and affect, memory and consciousness; and theory of curating. She is the author of Fear and Art in the Contemporary World (2012).

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	BF378.87 (Browse shelf(Opens below))	Link to resource	Available		ocn959951201

Includes bibliographies and index.

Acknowledgements; Contents; List of Figures; Preface; Chapter 1: Memory, Modernity and€the€Moving Image; 1.1 Memory: A€Modern Concept; 1.2 Mind and€Screen; 1.3 Moving Memories; 1.4 The Inner Film of€the€Mind; 1.5 Modern Memory and€Its Contingency for€the€Present; Notes; Bibliography; chapter 2: Mémoir(e) and€Mémoire(s); 2.1 Autobiographical Memory: A€Psychological Model; 2.2 H.€M.: A€Case of€Amnesia; 2.3 The Möbius Strip of€Remembering; 2.4 (Auto)Biographical Memory: The€Möbius Strip of€Remembering; Notes; Bibliography; chapter 3: Trauma, Latency and€Amnesia.

3.1 'Subincision': The€Cultural Making of€Intrusive Memories3.2 'Just an€Image': The Watch Man; 3.3 Interference and€Memory-Scape: Balnakiel; 3.4 Amnesiac Environments: Lesions in€the€Landscape; Notes; Bibliography; chapter 4: Sound, Trace and€Interference; 4.1 Sound Traces; 4.2 Memories, Silences and€Cultural Remembering; 4.3 Chaining Hidden Memories; Notes; Bibliography; chapter 5: Amnesia and€the€Archive; 5.1 Archival Memories and€the€Affect of€History; 5.2 'Chemical Amnesia' and€Spectral Memories; 5.3 Montage of€Unremembered Memories: Harun Farocki and€Eyal Sivan; Notes; Bibliography.

Chapter 6: Afterword: Contingency and the€Performativity of€Remembering and€ForgettingBibliography; Selective Bibliography; Index.

Throughout this book we discover what our idea of memory would be without the moving image. This thought provoking analysis examines how the medium has informed modern and contemporary models of memory. The book examines the ways in which cinematic optic procedures inform an understanding of memory processes. Critical to the reciprocity of mind and screen is forgetting and the problematic that it inscribes into memory and its relation to contested histories. Through a consideration of artworks (film/video and sound installation) by artists whose practice has consistently engaged with issues surrounding memory, amnesia and trauma, the book brings to bear neuro-psychological insight and its implication with the moving image (as both image and sound) to a consideration of the global landscape of memory and the politics of memory that inform them. The artists featured include Kerry Tribe, Shona Illingworth, Bill Fontana, Lutz Becker, Yervant Gianikian and Angela Ricci Lucchi, Harun Faorcki, and Eyal Sivan. Caterina Albano is Reader in Visual Culture and Science at Central Saint Martins, University of the Arts London, UK. Albano publishes, lectures and curates in the fields of art, cultural history and cultural theory, emotion and affect, memory and consciousness; and theory of curating. She is the author of Fear and Art in the Contemporary World (2012).

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