A midsummer night's dream /directed by William Dieterle and Max Reinhardt.
Material type: FilmPublication details: [Place of publication not identified] : Warner Brothers, (c)1935.Description: 1 DVD (approximately 143 min.) : sound, black and whiteContent type:- two-dimensional moving image
- unmediated
- volume
- PN1995 .A453 1935
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Multi-media (10-day check-out) | G. Allen Fleece Library MULTIMEDIA | Fiction | PN1995.9.D548.A453 1935 (Browse shelf(Opens below)) | Available | 31923002099683 |
Adapted from the play by William Shakespeare.
Country of origin : United States.
North American cinema.
James Cagney and Mickey Rooney romping in a Shakespearian fairyland? This could only be A Midsummer Night's Dream, Warner Brothers' 1935 attempt at classing up the proletarian studio. The legendary German stage director Max Reinhardt had produced the play at the Hollywood Bowl to enchanted, sold-out audiences, and Warners decided to hand Reinhardt the keys to the studio (along with fellow Germans William Dieterle, co-director, and Erich Wolfgang Korngold, who adapted Mendelssohn's music). Reinhardt created an eye-popping phantasmagoria, a movie laced with sparkling sequins, flying fairies, and moon-kissed forests. As for the words, Reinhardt had a collection of Warners studio players, notably James Cagney as Bottom, whose playing of "Pyramus and Thisby" with Joe E. Brown is perhaps the movie's comic high point. The other actors are decidedly varied, and they tend to be overwhelmed by the production design. Not so Mickey Rooney, whose performance as Puck is a feral, antic act of imagination (he was 14 during filming); picture a boy raised by wolves who somehow memorized Shakespeare. His Puck growls and screams and mocks the drama of the other characters, a little postmodern imp before his time. (Critic David Thomson called this Puck "truly inhuman, one of the cinema's most arresting pieces of magic"). The rest of the movie comes to earth with some regularity, but it's a one-of-a-kind production, and a reminder of the lavish, unreal possibilities within a movie studio. --Robert Horton
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