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Methods of murder Beccarian introspection and Lombrosian vivisection in Italian crime fiction / Elena Past.

By: Material type: TextTextPublication details: Toronto [Ont. : University of Toronto Press, (c)2012.; (Saint-Lazare, Quebec : Canadian Electronic Library, (c)2012).Description: 1 online resource (x, 353 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781442698093
Subject(s): Genre/Form: LOC classification:
  • PQ4181 .M484 2012
Online resources: Available additional physical forms:
Contents:
Part One: Beccarian Introspection -- 1 Investigative Introspection: Cesare Beccaria's Disembodied Criminal -- 2 Dark Ends for Leonardo Sciascia's Enlightened Detectives -- 3 Andrea Camilleri's Sicilian Simulacrum -- 4 Violence and the Law in Gianrico Carofiglio's Beccarian Courtroom -- Part Two: Lombrosian Vivisection -- 5 Cesare Lombroso Vivisects the Criminal -- 6 Carlo Emilio Gadda's Bodies of Evidence -- 7 Dario Argento's Aesthetics of Violence -- 8 Carlo Lucarelli's Lombrosian Nightmare -- Epilogue: Crime in the Twenty-First Century.
Subject: Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria's Enlightenment-era On Crimes and Punishments, and the biological offender of Cesare Lombroso's positivist Criminal Man.
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Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PQ4181.4 (Browse shelf(Opens below)) Link to resource Available ocn794619859

Includes bibliographies and index.

Introduction: The Mysterious Case of Crime Fiction in Italy -- Part One: Beccarian Introspection -- 1 Investigative Introspection: Cesare Beccaria's Disembodied Criminal -- 2 Dark Ends for Leonardo Sciascia's Enlightened Detectives -- 3 Andrea Camilleri's Sicilian Simulacrum -- 4 Violence and the Law in Gianrico Carofiglio's Beccarian Courtroom -- Part Two: Lombrosian Vivisection -- 5 Cesare Lombroso Vivisects the Criminal -- 6 Carlo Emilio Gadda's Bodies of Evidence -- 7 Dario Argento's Aesthetics of Violence -- 8 Carlo Lucarelli's Lombrosian Nightmare -- Epilogue: Crime in the Twenty-First Century.

Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria's Enlightenment-era On Crimes and Punishments, and the biological offender of Cesare Lombroso's positivist Criminal Man.

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