Dante's journey to polyphonyFrancesco Ciabattoni.

By:

Ciabattoni, Francesco [Author]

Material type: Text

TextSeries: Publication details: Toronto [Ont. : University of Toronto Press, (c)2010.; (Saint-Lazare, Quebec : Canadian Electronic Library, (c)2010).Description: 1 online resource (x, 250 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781442620230
9781442698604

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PQ4432 .D368 2010

Online resources:

Click to access digital title | log in using your CIU ID number and my.ciu.edu password

Available additional physical forms:

Contents:

Inferno's unholy racket -- Purgatorio : musical liturgy as Pharmakon -- Paradiso : the attuning of the sky -- The music of the spheres.

Subject: "Although Dante's Commedia has inspired a number of musical compositions, such as Tchaikovsky's symphonic poem Francesca Da Rimini and Rachmaninov's opera by the same name, and various syncretic studies on these works, until now there has not been a study that addresses the actual underlying musical framework of Dante's poem. In Dante's Journey to Polyphony, Francesco Ciabattoni examines the role of the musical performances in the Commedia and, more specifically, how the presentation of sacred music unfolds throughout the entire poem and constitutes a structural pillar of the narrative discourse." "Thoroughly grounded in musicological and philological scholarship, Dance's Journey to Polyphony provides the first organic treatment of the theme of Dante and music. Moving from the philosophical foundations of music and from a study of the diffusion of polyphony in Tuscany during Dante's day, Ciabattoni outlines the intricate musical design in the texture of the poem. An analysis of the musical passages in the Commedia shows that, from infernal cacophony, through purgatorial monophony, to paradisiacal polyphony, sacred songs constitute a thoroughly planned system accompanying the pilgrim's itinerary. Far from being a mere decorative element, Ciabattoni argues, music in the Commedia can be regarded as a necessary complement to the great liturgy of the sacred poem."--Jacket.

Tags from this library: No tags from this library for this title. Log in to add tags.

Average rating: 0.0 (0 votes)

Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PQ4432.8 (Browse shelf(Opens below))	Link to resource	Available		ocn759157303

Includes bibliographies and index.

Music to Dante's ears : exposure to polyphony -- Inferno's unholy racket -- Purgatorio : musical liturgy as Pharmakon -- Paradiso : the attuning of the sky -- The music of the spheres.

"Although Dante's Commedia has inspired a number of musical compositions, such as Tchaikovsky's symphonic poem Francesca Da Rimini and Rachmaninov's opera by the same name, and various syncretic studies on these works, until now there has not been a study that addresses the actual underlying musical framework of Dante's poem. In Dante's Journey to Polyphony, Francesco Ciabattoni examines the role of the musical performances in the Commedia and, more specifically, how the presentation of sacred music unfolds throughout the entire poem and constitutes a structural pillar of the narrative discourse." "Thoroughly grounded in musicological and philological scholarship, Dance's Journey to Polyphony provides the first organic treatment of the theme of Dante and music. Moving from the philosophical foundations of music and from a study of the diffusion of polyphony in Tuscany during Dante's day, Ciabattoni outlines the intricate musical design in the texture of the poem. An analysis of the musical passages in the Commedia shows that, from infernal cacophony, through purgatorial monophony, to paradisiacal polyphony, sacred songs constitute a thoroughly planned system accompanying the pilgrim's itinerary. Far from being a mere decorative element, Ciabattoni argues, music in the Commedia can be regarded as a necessary complement to the great liturgy of the sacred poem."--Jacket.

https://lib.ciu.edu/copyright-request-form

There are no comments on this title.

to post a comment.