J.S. Bach and his German contemporaries /edited by Andrew Talle.

Contributor(s):

Talle, Andrew

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780252095399

Other title:

Johann Sebastian Bach and his German contemporaries

Subject(s):

Music -- Germany -- 18th century -- History and criticism

Genre/Form:

Electronic Books.

LOC classification:

ML410 .J733 2013

Online resources:

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Available additional physical forms:

Contents:

by Wolfgang Hirschmann -- Aesthetic mediation and tertiary rhetoric in Telemann's VI Ouvertures à 4 ou 6 / by Steven Zohn -- Bach, Graupner, and the rest of their contented contemporaries / by Andrew Talle -- The famously little-known Gottlieb Muffat / by Alison J. Dunlop -- Bach versus Scheibe : hitherto unknown battlegrounds in a famous conflict / by Michael Maul.

Subject: In this volume, Wolfgang Hirschmann proposes an ethnographic approach that contextualizes Bach's works, addressing the aesthetic paths he took as well as those he did not pursue. Steven Zohn's essay considers Telemann's contribution to the orchestral Ouverture genre, observering how Telemann's approach to integrating the national styles of his time was quite different from, but no less rich than, Bach's Andrew Talle compares settings and strategies of Vergnüte Ruh, beliebte Seelenlust by Bach and Graupner. Alison Dunlop presents valuable primary research on Muffat, the most commonly cited keyboard music composer in Vienna during Bach's lifetime. Finally, Michael Maul sheds new light on the Scheibe-Birnbaum controversy, contextualizing the most famous critique of J.S. Bach's compositional style by discussing the other composers that Scheibe critiqued.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	ML410.1 (Browse shelf(Opens below))	Link to resource	Available		ocn961625735

Includes bibliographies and index.

He liked to hear the music of others : individuality and variety in the works of Bach and his German contemporaries / by Wolfgang Hirschmann -- Aesthetic mediation and tertiary rhetoric in Telemann's VI Ouvertures à 4 ou 6 / by Steven Zohn -- Bach, Graupner, and the rest of their contented contemporaries / by Andrew Talle -- The famously little-known Gottlieb Muffat / by Alison J. Dunlop -- Bach versus Scheibe : hitherto unknown battlegrounds in a famous conflict / by Michael Maul.

In this volume, Wolfgang Hirschmann proposes an ethnographic approach that contextualizes Bach's works, addressing the aesthetic paths he took as well as those he did not pursue. Steven Zohn's essay considers Telemann's contribution to the orchestral Ouverture genre, observering how Telemann's approach to integrating the national styles of his time was quite different from, but no less rich than, Bach's Andrew Talle compares settings and strategies of Vergnüte Ruh, beliebte Seelenlust by Bach and Graupner. Alison Dunlop presents valuable primary research on Muffat, the most commonly cited keyboard music composer in Vienna during Bach's lifetime. Finally, Michael Maul sheds new light on the Scheibe-Birnbaum controversy, contextualizing the most famous critique of J.S. Bach's compositional style by discussing the other composers that Scheibe critiqued.

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