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New Soviet gypsies : nationality, performance, and selfhood in the early Soviet Union / Brigid O'Keeffe.

By: Material type: TextTextPublication details: Toronto [Ontario] : University of Toronto Press, (c)2013.; Beaconsfield, Quebec : Canadian Electronic Library, (c)2013.Edition: [CEL versionDescription: 1 online resource (xvi, 328 pages) : illustrations, 1 portraitContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781442665866
Subject(s): Genre/Form: LOC classification:
  • DX241 .N497 2013
Online resources: Available additional physical forms:
Contents:
A Political Education: Soviet Values and Practical Realities in Gypsy Schools -- Parasites, Pariahs, and Proletarians: Class Struggle And the Forging of a Gypsy Proletariat -- Nomads into Farmers: Romani Activism and the Territorialization of (In)Difference -- Pornography or Authenticity? Performing Gypsiness on the Soviet Stage -- Epilogue and Conclusion: "Am I a Gypsy or Not a Gypsy?": Nationality and the Performance of Soviet Selfhood.
Subject: "As perceived icons of indifferent marginality, disorder, indolence, and parasitism, "Gypsies" threatened the Bolsheviks' ideal of New Soviet Men and Women. The early Soviet state feared that its Romani population suffered from an extraordinary and potentially insurmountable cultural "backwardness," and sought to sovietize Roma through a range of nation-building projects. Yet as Brigid O'Keeffe shows in this book, Roma actively engaged with Bolshevik nationality policies, thereby assimilating Soviet culture, social customs, and economic relations. Roma proved the primary agents in the refashioning of so-called "backwards Gypsies" into conscious Soviet citizens. New Soviet Gypsies provides a unique history of Roma, an overwhelmingly understudied and misunderstood diasporic people, by focusing on their social and political lives in the early Soviet Union. O'Keeffe illustrates how Roma mobilized and performed "Gypsiness" as a means of advancing themselves socially, culturally, and economically as Soviet citizens. Exploring the intersection between nationality, performance, and self-fashioning, O'Keeffe shows that Roma not only defy easy typecasting, but also deserve study as agents of history."--Publisher's website.
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Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction DX241 (Browse shelf(Opens below)) Link to resource Available ocn863054155

Includes bibliographies and index.

Backward Gypsies, Soviet Citizens: The All-Russian Gypsy Union -- A Political Education: Soviet Values and Practical Realities in Gypsy Schools -- Parasites, Pariahs, and Proletarians: Class Struggle And the Forging of a Gypsy Proletariat -- Nomads into Farmers: Romani Activism and the Territorialization of (In)Difference -- Pornography or Authenticity? Performing Gypsiness on the Soviet Stage -- Epilogue and Conclusion: "Am I a Gypsy or Not a Gypsy?": Nationality and the Performance of Soviet Selfhood.

"As perceived icons of indifferent marginality, disorder, indolence, and parasitism, "Gypsies" threatened the Bolsheviks' ideal of New Soviet Men and Women. The early Soviet state feared that its Romani population suffered from an extraordinary and potentially insurmountable cultural "backwardness," and sought to sovietize Roma through a range of nation-building projects. Yet as Brigid O'Keeffe shows in this book, Roma actively engaged with Bolshevik nationality policies, thereby assimilating Soviet culture, social customs, and economic relations. Roma proved the primary agents in the refashioning of so-called "backwards Gypsies" into conscious Soviet citizens. New Soviet Gypsies provides a unique history of Roma, an overwhelmingly understudied and misunderstood diasporic people, by focusing on their social and political lives in the early Soviet Union. O'Keeffe illustrates how Roma mobilized and performed "Gypsiness" as a means of advancing themselves socially, culturally, and economically as Soviet citizens. Exploring the intersection between nationality, performance, and self-fashioning, O'Keeffe shows that Roma not only defy easy typecasting, but also deserve study as agents of history."--Publisher's website.

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